I am pleased to begin the final issue of the year with a very special announcement. Screen Bodies is modifying its editorial direction and the kind of work it will feature. Many of our readers will already have a sense of these changes, made evident by the new Aims and Scope section we made available online earlier this summer, and by the journal's new subtitle, The Journal of Embodiment, Media Arts, and Technology. As these indicate, the foundational commitments of the journal remain unchanged; however, moving forward will we intensify our focus on new media art, technology studies, and the interface of the sciences and the humanities. We will continue to examine the cultural, aesthetic, ethical, and political dimensions of emerging technologies, but with a renewed attention to such areas as intermediality, human–machine interface, virtual and augmented reality, artificial intelligence, generative art, smart environments, immersive and interactive installations, machine learning, biotechnology, computer science, digital culture, and digital humanities. The journal will continue to prioritize matters of the body and screen media, both in terms of representation and engagement, but will emphasize research that critically reexamines those very concepts, as, for example, in the case of object-oriented feminism's nonanthropocentric approach, which asks us to rethink what we mean by bodies and embodiment.
Andrew J. Ball
Transgender Girls and Their Families in the Time of COVID
Sally Campbell Galman
Meet Lily: Hi! I'm Lily. I'm 12 years old and I'm going into junior high school next year. I have curly black hair like my dad and green eyes like my mom. It's been 170 days since school and life and shops and stuff all shut down and my little sister Chloe and I really REALLY want COVID to be over. We play dolls and read and go for walks but I also spend a lot of time online texting and stuff with my friends.
Pivoting our Model with Girls During COVID-19
Cheryl Weiner, Kathryn Van Demark, Sarah Doyle, Jocelyn Martinez, Fia Walklet, and Amy Rutstein-Riley
The Girlhood Project (TGP) is a community based, service-learning/research program that is part of the undergraduate course at Lesley University called “Girlhood, Identity and Girl Culture.” TGP works with community partners to bring middle and high school girls to Lesley's campus for nine weeks as part of intergenerational girls’ groups that are co-facilitated by Lesley students (also referred to as TGP students). TGP fosters the development of feminist leadership, critical consciousness, voice, and community action, and activism in all participants. In this article, we describe how we adapted TGP's model to a virtual and synchronous platform for students during COVID-19 and supported their learning competencies. We reflect critically on this experience by centering the voices and perspectives of girls, students, and professors.
Jennifer A. Thompson, Sarah L. Fraser, Rocio Macabena Perez, Charlotte Paquette, and Katherine L. Frohlich
In this article, we feature photographs and cellphilms produced by 13 girls and young women (aged 13 to 19) from urban, rural, and Indigenous areas of Quebec, Canada during the COVID-19 pandemic. Framed within girls’ studies, we present girls’ and young women's creations and co-analysis about wellbeing during a period of lockdown. We explore how girls and young women restructured their routines at home as well as negotiated motivation and the pressure to be productive. We note that girls had more time than usual for creative activities and self-discovery and that they engaged with the politics of the pandemic and advocated for collective forms of wellbeing. Importantly, girls reported that participating in this research improved their wellbeing during this lockdown.
The Urgent Need for Research and Action
Kaitlin Schwan, Erin Dej, and Alicia Versteegh
Equitable access to adequate housing has increasingly been recognized as a matter of life and death during the COVID-19 pandemic. Despite this, there has been limited gendered analysis of how COVID-19 has shaped girls’ access to housing. In this article we analyze how the socio-economic exclusion of girls who are homeless is likely to increase during the COVID-19 pandemic in Canada. We suggest that three structural inequities will deepen this exclusion: the disproportionate burden of poverty faced by women; the inequitible childcare responsibilities women bear; and the proliferation of violence against women. We argue for the development of a research agenda that can address the structural conditions that foster pathways into homelessness for low-income and marginalized girls in the context of COVID-19 and beyond.
The Effects of COVID-19 on Girls
Girls and women are the first victims of any calamity, pandemic, or disaster in developing countries like Bangladesh. As it is, they are very often denied health care, are forced to endure child marriage and early motherhood, and are frequently subjected to violence. Given this unprecedented COVID-19 pandemic they are now suffering immensely. COVID-19 threatens girls’ rights in countries around the world and will have far-reaching impacts on their health and wellbeing, education, and protection. Self-isolation has increased the rates of gender-based violence. Early marriage and pregnancy are among the drastic effects of school closures and many parents have married off their underage daughters or sold them off to rich families as domestic workers to reduce their economic burden.
Film Studies and Analytic Aesthetics in Dialogue
Mario Slugan and Enrico Terrone
Since the 1970s with Stanley Cavell's work, and later with contributions such as those by Noël Carroll, George Wilson, Gregory Currie, and Berys Gaut, film has become a respectable object of philosophizing among Anglo-Saxon philosophers. Still, when it comes to the relationship between film and philosophy, the focus is mostly on how philosophy can help better understand film with little or nothing on how film studies can contribute to philosophical aesthetics. This special issue is aimed at encouraging a more balanced interaction between analytic aesthetics and film studies.
Toward a Queer Sinofuturism
Ari Heinrich, Howard Chiang, and Ta-wei Chi
This special issue on “Queer Sinofuturisms” aims to explore how artists and writers working across various media in Sinophone contexts use science to envision—and indeed to fabulate—non-normative gender and erotic expressions in relation to the corporeal future of humanity. By investigating visions of the future that incorporate queerness and creative applications of computer and biotechnology, “Queer Sinofuturisms” aims to counter pervasive techno-Orientalist discourses, such as those discourses in the Blade Runner movies (Ridley Scott, 1982; and Denis Villeneuve, 2017) that frame “Asian” futures as strictly dystopian—and heteronormative by default. What happens, this issue of Screen Bodies asks, if we simultaneously destabilize techno-Orientalist narratives of the future while queering assumptions about the heteronormativity so often inscribed upon that future in mainstream iterations and embodiments? What kinds of fabulous fabulations might emerge?
COVID-19 and Urban Métis Girls and Young Women
Carly Jones, Renée Monchalin, Cheryllee Bourgeois, and Janet Smylie
The national COVID-19 pandemic response presents a sharp contrast to the matrilineal social kinship and knowledge exchange systems that Métis women and girls rely on for safety, security, and wellbeing. In this article, we demonstrate that while Métis women and girls have been left out of the national pandemic response, they continue to carry intergenerational healing knowledges that have been passed down from the kokums (grandmas) to the iskwêsisisak (girls). We show how urban Métis girls and women are both managing and tackling COVID-19 through innovative and community-based initiatives like Well Living House and the Call Auntie Hotline.
Experiences of “Left-Behind” Girls in Rural China
“Left-behind” children in rural China are those whose parents seek work in urban areas and leave them behind in their hometowns. In this article, I focus on the experiences of five young “left-behind” girls who were socially isolated because of the COVID-19 pandemic. Based on the Chinese authorities’ instruction to schools to “Stop classes, but don't stop learning,” I examine micro-level data on the tensions and challenges experienced by these girls during the COVID-19 lockdown. I look at how the pandemic has affected these girls in relation to school and family life and suggest that it has exposed and magnified gender inequalities, particularly those related to the maltreatment exerted by their guardians and/or brothers, that have left them even further behind.