Aimee Meredith Cox. 2015. Can Citizenship Care? Black Girls Reimagining Citizenship. Durham, NC, Duke University Press.
Black Girls and the Choreography of Citizenship
An Activist Model of Black Girl Leadership
In the study on which this article is based, I examine the correlation between the number of Black girls in leadership programs and the number of Black female leaders in nonprofit organizations. I carried out research on Black girl leadership to understand the shortcomings of programs meant to teach Black girls appropriate leadership skills and I conducted interviews with female leaders to determine the hurdles faced by Black women trying to obtain leadership roles in the nonprofit sector. My findings show that there is a disconnect between Black and white women in leadership roles and that impediments for Black women affect leadership prospects for Black girls. This article is a call to create an activist model that supports the professional trajectories of Black girls.
This article analyzes the film and installation Toxic (2012) by Berlin-based artists Pauline Boudry and Renate Lorenz in order to reflect upon the politics of racialized queer and trans subjects becoming images and to consider the ways we might care for these images in the archives of history. I revisit my original argument about Toxic, which positioned the artwork as an intersectional “archive of feelings” that was paradigmatic of a moment in the late 2000s and early 2010s when many Western antiracist queer/trans communities were focused on critiquing the violences of gay pride assimilationism and its politics of transparency. I then turn to Christina Sharpe's “ethics of care” and Eric Stanley's work on opacity to analyze how this reading may work toward the politics of transparency it seeks to critique. In response, I develop the concept of queer/trans messiness as a set of aesthetic, performative, affective, and historiographical strategies present in Toxic, which produce different grammars of seeing and being seen, different ways of navigating the incommensurability between struggles for social justice, and different modes of representing antiracist queer/trans history.
Constructions of Masculinity in Youth Justice in England and Wales
Boys and young men continue to make up 81 percent of the Youth Justice System (YJS) in England and Wales, yet dominant discourses on young people who have been identified as having offended largely neglect to examine the potential role of masculinity in offending and interventions. This article aims to fill the gap of research in this area by exploring the role masculinity may play as understood by practitioners. It concludes that practitioners closely link “localized forms of hegemonic masculinity” to offending behavior of boys and young men.
Jonathan A. Allan, Chris Haywood, and Frank G. Karioris
Conflicting Discourses of Commodity Activism
Elizabeth J. McLean, Kazuki Yamada, and Cameron Giles
Spectacle and Spectatorship in The Hunger Games
Anne Boleyn has been narrativized in Young Adult (YA) historical fiction since the nineteenth century. Since the popular Showtime series The Tudors (2007–2010) aired, teenage girls have shown increased interest in the story of Anne Boleyn, Henry VIII's second and most infamous queen. This construction of Boleyn suggests that she was both celebrated and punished for her proto-feminist agency and forthright sexuality. A new subgenre of Boleyn historical fiction has also recently emerged—YA novels in which her story is rewritten as a contemporary high school drama. In this article, I consider several YA novels about Anne Boleyn in order to explore the relevance to contemporary teenage girls of a woman who lived and died 500 years ago.
In the last decade, Franco-Moroccan directors have begun to explore culturally taboo and unrepresented sexual communities within Morocco. This article examines how two pioneering films, Abdellah Taïa's Salvation Army and Nabil Ayouch's Much Loved, contribute to an emerging cultural politics in the Arab-speaking world that is reframing marginalized or invisible sexualities. While these films address issues of sexual tourism, incest, and prostitution, among others, the focus of this article is on the films’ critiques of internalized homophobia, sexual tourism, and the sociopolitical power structures that occlude, marginalize, or shame those males outside of the heterosexual matrix. Analyzing the films’ portrayal of the semiotics of forbidden desire, internalized homophobia, and the circulation and spatialization of queer sexualities in Morocco, this article argues that Salvation Army and Much Loved complicate our understanding of Arab masculinities and add to a growing queer visibility that stretches from the Maghreb to the Gulf.