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Sabina Barone and Mehdi Alioua


In this interview with Sabina Barone, Mehdi Alioua—Sociology Professor at the Université Internationale de Rabat (International University of Rabat), Morocco—reflects on the transformations that Sub-Saharan African migration has brought to Moroccan society over the last two decades, in particular with reference to identity and the denominations of the foreign others, the internal and regional dynamics of (im)mobility, and the challenges to social coexistence and national migration policies. He proposes conceptual categories such as “transmigrant,” “migration by stages,” and “migratory crossroads” to capture the complexity of the mobile experiences unfolding in Morocco. Based on his trajectory of engaged scholarship in favor of migrants and refugees, he calls for a renewed South-South and North-South academic collaboration and cross-fertilization through small scale, bottom-up research made possible by friendship among scholars.

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Timothy Laurie, Catherine Driscoll, Liam Grealy, Shawna Tang, and Grace Sharkey


This critical commentary considers the significance of Connell's The Men and the Boys in the development of an affirmative feminist boys studies. In particular, the article asks: How can research on boys contribute to feminist research on childhood and youth, without either establishing a false equivalency with girls studies, or overstating the singularity of “the boy” across diverse cultural and historical contexts? Connell's four-tiered account of social relations—political, economic, emotional, and symbolic—provides an important corrective to reductionist approaches to both feminism and boyhood, and this article draws on The Men and the Boys to think through contrasting sites of identity formation around boys: online cultures of “incels” (involuntary celibates); transmasculinities and the biological diversity of the category “man”; and the social power excercised within an elite Australian boys school. The article concludes by identifying contemporary challenges emerging from the heuristic model offered in The Men and the Boys.

Open access

Michael Blake


The increasing political salience of the sanctuary city has not yet been met with adequate philosophical examination of that concept. This article argues that there are at least two models of how the sanctuary city ought to be understood. The first model, the wholesale model, understands the sanctuary city as a standing check against federal overreach; the city ought to refuse to participate in deportation, even when the federal government is morally correct in how and when it deports. The second model, the piecemeal model, understands the sanctuary city instead as one particular site of resistance to particular forms of federal wrongdoing. This article does not seek to vindicate one model over the other, but argues that both models raise significant philosophical worries. More philosophical attention will help us understand both what the sanctuary city is and what might be said in its defense.

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The Unrealized Potential of Body-Reflexive Practices

Intimations of a New Materialism

Steve Garlick


Raewyn Connell's work foregrounds bodies in a way that challenges the social-constructionist orientation that has dominated much of the critical research on masculinities. Yet, her concept of “body-reflexive practices” is one of the least explored aspects of her work. In this commentary, I argue that body-reflexive practices, as the concept is developed in The Men and the Boys, points in the direction of a potentially productive convergence between masculinity studies and new materialist theories. In its engagement with the nature of bodies underlying the cultural construction of gender, Connell's work maintains a relevance that has been largely unappreciated. This is especially the case for boys and young men as they develop masculinities in negotiation with their corporeal capacities.

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Working against and with the State

From Sanctuary to Resettlement

Audrey Macklin


A handful of Canadian church congregations provide sanctuary to failed asylum seekers. Many also participate in resettling refugees through a government program called private sponsorship. Both sanctuary and sponsorship arise as specific modes of hospitality in response to practices of exclusion and inclusion under national migration regimes. Sanctuary engages oppositional politics, whereby providers confront and challenge state authority to exclude. Refugee sponsorship embodies a form of collaborative politics, in which sponsorship groups partner with government in settlement and integration. I demonstrate how the state's perspective on asylum versus resettlement structures the relationship between citizen and state and between citizen and refugee. I also reveal that there is more collaboration in sanctuary and resistance in sponsorship than might be supposed.

Free access

Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

On the cover of this issue is an image taken from the Wellcome Collection. Titled “Dance of death: death and the pedlar”, the image shows a skeletal personification of Death picking through a basket of goods. In the basket are included masks, crosses, a deck of cards, swords, and a variety of other items. Published in the 18th Century, it is based on, and an interpretation of a piece in Basel on the Dance of Death. It is black and white and a print produced via etching a plate and using this to print the image.

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An Autopsy

Jean-Christophe Menu and Fabrice Neaud


In this email exchange, Jean-Christophe Menu inveighs against the deterioration of comics autobiography into a formulaic ‘genre’. Fabrice Neaud maintains that the autobiographical enterprise is necessarily a dangerous undertaking in which a precarious subject comes into being, unlike the ‘proximate’ autobiography featuring a ready-made persona in search of peer approval. He employs a Darwinist evolutionary metaphor to demonstrate the colonisation of the ecological niche that houses comics autobiography by an ‘autobiography-lite’ better adapted to the market. He details the criticisms that have been made of his work (‘egotistical’, or formally over-conservative) and laments the tendency to equate artless scribbles with ‘sincerity’. Menu regrets that a distanced and selective portrayal of family life can be read as invasive of privacy, with devastating legal consequences.

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Beyond Binaries, Borders, and Boundaries

Mapping the City in John Rechy's City of Night

Eir-Anne Edgar


This article discusses John Rechy's 1963 novel City of Night and the metaphorical function of the “City.” The sprawling City includes street corners, bars, beaches, movie theaters, and parks. These spaces are public and private, queer and straight. I argue that Rechy's City functions metaphorically—it is the “sexual underground,” with illicit acts conspiratorially narrated by an anonymous hustler—yet, at the same time, the City is also composed of spaces that are inhabited by so-called “average Americans.” Just as his City sprawls beyond officially recognized boundary lines, the novel also illustrates how efforts to demarcate sexuality as either “gay” or “straight” is futile, as are police efforts to differentiate between “legal” and “illegal” activity.

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Fransiska Louwagie and Benoît Crucifix

Ewa Stańczyk, ed., Comic Books, Graphic Novels and the Holocaust: Beyond Maus. (Abingdon and New York: Routledge, 2020). 142 pp. ISBN: 9780367585921 (£29.59)

Vittorio Frigerio, Bande dessinée et littérature: Intersections, fascinations, divergences (Macerata: Quodlibet, 2018). 96 pp. ISBN: 9788822902573 (€10.00)

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Jessica Bay, Alaina Schempp, Daniela Schlütz, and R. Colin Tait

Smith, Anthony N., Storytelling Industries: Narrative Production in the 21st Century. London: Palgrave MacMillan, 2018, 266 pp., $59.99 (eBook), ISBN: 978-3-319-70597-2.

Harrod, Mary, and Katarzyna Paszkiewicz, eds., Women Do Genre in Film and Television. New York: Routledge, 2018, 266 pp., $39.16 (paperback), ISBN: 9780367889845.

García, Alberto N. ed., Emotions in Contemporary TV Series. New York: Palgrave Macmillan, 2016, 253 pp., $89.00, ISBN: 978-1-137-56885-4.

Dunleavy, Trisha. Complex Serial Drama and Multiplatform Television. New York: Routledge, 2019, 202 pp., $46.95, ISBN: 9781138927759.