The cover of this issue of Screen Bodies features the digital work “Crypto Queen” by restlessperson (Aleksandr Rybin), which the artist has minted as an NFT. We spoke with Rybin about the subject matter of his work, connections between digital and analog art, and the future of NFTs. His work is available on KnownOrigin.
Andrew J. Ball and Aleksandr Rybin
Otaku Movement and the Joan of Arc Effect in Type-Moon’s Transhistorical Anime Ecology
David John Boyd
This article examines the temporal and phenomenological philosophies of Gilles Deleuze, Félix Guattari, and Paolo Virno, specifically in relation to the transmedia franchises of the Japanese game studio, Type-Moon. Against linear, national, and majoritarian grand narratives of the historical, the otaku artists, writers, and developers responsible for the Fate series postulate whether it is possible to harness the intense and affective forces described by Jay Lampert as “the Joan of Arc effect” in the blink of an eye or in the palm of your hand. Through a philosophical and formal analysis of three spinoff series from the Fate franchise, this article investigates how Type-Moon’s deployment of the “anime machine” encourages its viewers and users to see and feel the abundance of flowing “nomadic memories” or counter-historical visions from the perspective of minor populations. Through this highly embodied and tactile experience of transhistorical (un)becomings, Type-Moon’s series offer a deterritorialized, post-national world-image of the otaku database which mediates between the overloading affects of becoming-woman and the digitally encoded logic of transversal through the frames, windows, interfaces, devices, platforms, and bodies that constitute Type-Moon’s vibrant anime ecology.
Addressing Privacy and Security Concerns Through Emotional Advertising
As millions of customers across the world invite digital voice assistants into their homes, the public debate has increasingly centered on security and privacy concerns connected to the use of the device. Drawing on Tania Bucher’s work at the intersection between technology and everyday experience, this article proposes an understanding of an algorithmic imaginary of Alexa-enabled devices as explicitly nonthreatening in its ordinariness, positive potential, and gendered presence. As a case study, this article uses commercials for Alexa-enabled devices as a starting point: Instead of foregrounding the functionality and thereby the algorithmic intelligence underlying the voice assistant, these commercials focus on an affective potential as a narrative strategy to address privacy and security concerns. By connecting everyday interactions with emotional and empowering narratives, the way Alexa is portrayed as an embodied object functions as a balance to the equally public and publicized understanding of digital voice assistants as threats.
Memento and Mētis
This article applies materialist rhetoric to Christopher Nolan’s 2000 neo-noir film Memento and positions its protagonist Leonard Shelby, a man with a brain injury that prevents him from making new memories, as a figure of mētis: a classical concept addressing the cunning ability to respond to the contingent,kairotic moment by engaging situations through a reciprocal process of change. As evidence for its assertion, the article examines Leonard’s relationship to his shifting bodily archive of tattoos, handwritten notes, and annotated Polaroid pictures. It also aligns him with the ancient hero Odysseus and the sophistic rhetorician Gorgias, two classical exemplars of mētis. Leonard’s mētic existence informs how contemporary selves emerge from networks of objects both physical and virtual.
Jeffrey M. Zacks, Trevor Ponech, Jane Stadler, and Malcolm Turvey
Gallese, Vittorio, and Michele Guerra. The Empathic Screen: Cinema and Neuroscience. Trans. Frances Anderson. Oxford: Oxford University Press, 2019, 272 pp., $45.00, ISBN: 9780198793533.
Rawls, Christina, Diana Neiva, and Steven S. Gouveia, eds. Philosophy and Film: Bridging Divides. New York: Routledge, 2019, 389 pp., $160 (hardback), ISBN: 978-1-138-35169-1.
Moss-Wellington, Wyatt. Narrative Humanism: Kindness and Complexity in Fiction and Film. Edinburgh: Edinburgh University Press, 2019, 256 pp., $29.95 (paperback), ISBN: 9781474454322.
Perez, Gilberto. The Eloquent Screen. Minneapolis: University of Minnesota Press, 2019, 448 pp., $29.95, ISBN: 978-0-8166-4133-8.
Alexander Dilger, Christopher Thomas Goodwin, George Gibson, Michelle Lynn Kahn, Randall Newnham, Christopher Thomas Goodwin, and Stephen F. Szabo
Mark K. Cassell, Banking on the State: The Political Economy of Public Savings Banks (Newcastle upon Tyne: Agenda Publishing, 2021).
Bryce Sait, The Indoctrination of the Wehrmacht: Nazi Ideology and the War Crimes of the German Military (New York: Berghahn Books, 2019).
Frank Bösch, ed., A History Shared and Divided: East and West Germany since the 1970s (New York: Berghahn Books, 2018).
Christopher A. Molnar, Memory, Politics, and Yugoslav Migrations to Postwar Germany (Bloomington: Indiana University Press, 2018).
Eva Noack-Mosse, Last Days of Theresienstadt, trans. Skye Doney and Birutė Ciplijauskaitė (Madison: University of Wisconsin Press, 2018).
Michael H. Kater, Culture in Nazi Germany (New Haven, CT: Yale University Press, 2019).
Rolf Steininger, Germany and the Middle East: From Kaiser Wilhelm II to Angela Merkel (New York: Berghahn Books, 2019).
Ben Page, Olga R. Gulina, Doğuş Şimşek, Caress Schenk, and Vidya Venkat
MIGRANT HOUSING: Architecture, Dwelling, Migration. Mirjana Lozanovska. 2019. Abingdon: Routledge. 242 pages. ISBN 9781138574090 (Hardback).
THE AGE OF MIGRATION: International Population Movements in the Modern World. 6th ed. Hein de Haas, Stephen Castles, Mark J. Mille. 2020. London: Red Globe Press. 446 pages. ISBN-13: 978-1352007985.
REFUGEE IMAGINARIES: Research across the Humanities. Emma Cox, Sam Durrant, David Farrier, Lyndsey Stonebridge, and Agnes Woolley, eds. 2020. Edinburgh: Edinburgh University Press. 642 pages. ISBN 9781474443197 (hardback).
MIGRATION AS A (GEO-)POLITICAL CHALLENGE IN THE POST-SOVIET SPACE: Border Regimes, Policy Choices, Visa Agendas. Olga R. Gulina. 2019. Stuttgart: Ibidem Verlag. 120 pages. ISBN: 9783838213385.
COMPARATIVE REVIEW: Migration and Development in India: Provincial and Historical Perspectives
INDIA MOVING: A History of Migration. Chinmay Tumbe. 2018. New York: Penguin Viking. 285 pages. ISBN: 9780670089833.
PROVINCIAL GLOBALISATION IN INDIA: Transregional Mobilities and Development Politics. Carol Upadhya, Mario Rutten, and Leah Koskimaki, eds. 2020. New York: Routledge. 193 pages. ISBN: 978-1-138-06962-6.
In this contribution, I consider some appreciative links and qualified connections between Raewyn Connell's work and my own. In particular, I use the example of sport, a key area in the making of boys and young men in many parts of the world, with special reference to body, practice, and theoretical and empirical conceptualizations of masculinity.
Revisiting Raewyn Connell’s Pivotal Text
Michael R.M. Ward, Kopano Ratele, Sebastián Madrid, Anna Tarrant, Victoria Cann, and Raewyn Connell
Following the launch of our first special issue in December 2020 (Cann et al. 2020) we are delighted to publish this second, linked issue. As evidence of the impact and dominance of Raewyn Connell’s ideas and their influence on the field, we received so many high-quality abstracts in response to our call for papers that we decided to create two collections. This second special issue of Boyhood Studies, An Interdisciplinary Journal, celebrates the twentieth anniversary of Raewyn Connell’s landmark text, The Men and the Boys (2000), and hosts a wide range of international and interdisciplinary authors to highlight the continued global relevance of the book and Connell’s work more widely. This issue continues this work by showcasing an impressive array of empirical research studies and reflection pieces by emerging and leading scholars that are guided by the original themes in The Men and the Boys.
The Affective Modalities of Media and Technology
Andrew J. Ball
The six essays in this in this issue of Screen Bodies explore what we might call the affective modalities of media, that is, each author examines the potential of emerging and traditional media to transform individual and collective relations through the strategic use of embodied affective experience. Three essays in the issue focus on new and emerging technology. In, “The iAnimal Film Series: Activating Empathy Through Virtual Reality,” Holly Cecil examines the potential power of virtual reality to generate empathy in users. In particular, she looks at the way animal advocacy organizations combine documentary film and virtual reality to communicate the embodied experience of living and dying in a factory farm to provoke feeling and widespread opposition to the industry.