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The Ambiguity of Subversion

Resistance through Radio Broadcasting

Gisli Vogler

Abstract

This article explores subversion as a practice of resistance and draws on the example of subversive radio for illustration. Radio became an important site of power struggles in the twentieth century, often placed in the service of both resistance and oppression. An examination of subversive acts in radio broadcasting, I argue, helps shift the focus away from the myths of heroic resistance, directing attention to the uncertainties encountered by the subversive actor. To make this argument, I build on Frantz Fanon's influential work on the resistant potential of radio and engage with literature on subversion and everyday resistance. The article illustrates the ambiguity of subversion on the case study of Radio Bantu, a broadcaster of ethnic-specific radio programmes established by the South African apartheid regime.

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Linda Gruen

Abstract

This article explores the ways in which nineteenth-century Argentine author, Eduarda Mansilla de García, engaged with the issues of women and modernity in her 1882 travelogue, Recuerdos de viaje. It argues that the practice of travel writing served a dual purpose for Mansilla. Publishing a travelogue about the United States enabled Mansilla to trouble Argentine period gender restrictions while at the same critically evaluate North American females. Drawing from theorizations regarding travel writing as a place of power negotiations, I unveil how Mansilla employed her travelogue as a means of validating the cultural capital of Latin American geocultural space in comparison with that of the United States. Consequently, this nineteenth-century Latin American travel narrative did more than the task of light entertainment; it engaged with significant, ongoing period transnational debates regarding modernity, gender, and nation.

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The Battle of El Herri in Morocco

Narratives of Colonial Conquest during World War I

Caroline Campbell

Abstract

What does the French massacre of Amazigh people at El Herri in November 1914 reveal about broader patterns of colonial conquest? How do such patterns demonstrate the beliefs of French officers about the best way to conduct war at the beginning of World War I? Using extensive archival research, published primary sources, and Amazigh oral tradition, this article provides a narrative of the Battle of El Herri that analyzes the physical, sexual, and gendered violence that French troops exacted against Amazigh tribes. It argues that leading French military figures spun the “battle” to create a narrative that was racially inflected and self-serving. Led by Resident-General Lyautey, these leaders claimed that their philosophy of conquest was the only one that could result in successful war in Morocco, and by extension, Europe itself.

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“Before the War, Life Was Much Brighter and Happier than Today”

Letters from French War Orphans, 1915–1922

Bethany S. Keenan

Abstract

This article examines a previously unstudied collection of letters from French World War I orphans and widows, published in US newspapers from 1915 to 1922, as a result of the US humanitarian effort Fatherless Children of France (FCOF). Through the analysis of the letters’ content and style, the article illuminates the lived experience of bereaved lower-income French families, notably highlighting the significance of grief and the impact of paternal loss on economic status, bringing out new evidence on how women and children experienced the war, as well as showing how humanitarian efforts connected French and American civilians during the war period.

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Being-for-itself and the Ontological Structure

Can Being-for-itself Avoid Bad Faith?

Ronald E. Santoni

Abstract

In this paper, I pay tribute to Jonathan Webber, one of the most dependable interpreters among recent Sartre scholars. I do so by challenging both him and Sartre on an issue that has long frustrated my work on Sartre. In short, Sartre contends that the For-itself's desire to be (and to pursue) Being-in-itself-for-itself (i.e., God) is in bad faith. This raises two issues: (1) Is this desire to be ens causa sui part of the ontological structure of the For-itself? (2) If so, is bad faith an essential part of the human being? I contend that the desire to be the In-itself-for-itself is, on Sartre's premises, part of the ontological structure of an existing human being (pour-soi). As our original flight from freedom and “fundamental project,” this constitutes bad faith's “coming into the world,” and remains part of Being-for-itself's “natural” disposition to bad faith.

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Cecilia Schultz

Lawrence Hamilton. Amartya Sen. Cambridge: Polity Press, 2019. ISBN-13:978-1-5095-1984-2.

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Amy Cox Hall, Sergio González Varela, Jessica S.R. Robinson, Peter Weisensel, and David Wills

Will Buckingham. Stealing with the Eyes: Imaginings and Incantations in Indonesia (London: HAUS Publishing, 2018), 230pp., ISBN 978-1-909-96142-5, $19.50 (paperback).

Lauren Miller Griffith and Jonathan Marion. Apprenticeship Pilgrimage: Developing Expertise through Travel and Training (Lanham: Lexington Books, 2018), xxx +171 pp., ISBN: 978-1-4985-2990-7, $90 (hardcover).

Brooke A. Porter and Heike A. Schänzel, eds., Femininities in the Field: Tourism and Transdisciplinary Research (Bristol: Channel View Publications, 2018), xiv +213 pp., ISBN-13: 978-1-84541-649-2, $39.95 (paperback).

Edyta M. Bojanowska. A World of Empires: The Russian Voyage of the Frigate Pallada (Cambridge MA: The Belknap Press of Harvard University Press, 2018), viii +373 pp., ISBN: 978-0-674-97640-5, $35 (hardcover).

Efterpi Mitsi. Greece in Early English Travel Writing, 1596–1682 (NY: Palgrave Macmillan, 2017), x + 206 pp., ISBN: 978-3-319-62611-6, £74.99 (hardcover).

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Sarah Horton and Adrian van den Hoven

Daniel O'Shiel, Sartre and Magic: Being, Emotion, and Philosophy (London: Bloomsbury, 2019), 198 pp., $79.80, ISBN: 978-1-3500-7766-9 (hardback).

Brill's Companion to Camus: Camus among the Philosophers. Eds. Matthew Sharpe, Maciej Kałuża, and Peter Francev. (Leiden/Boston: Brill, 2020), 488 pp., $180, ISBN: 9789004401747 (hardback)

Yan Hamel, En Randonnée avec Simone de Beauvoir. Boréal, Montréal, Canada, 2020. Can $25,95.

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Challenging Hegemonic Patriarchy

A Feminist Reading of Arab Shakespeare Appropriations

Safi M. Mahfouz

Abstract

Drawing on feminist theory, this article offers a feminist reading of some Arab Hamlet appropriations to demonstrate whether or not such plays qualify as feminist Shakespeare re-visions. It shows how some female characters in these plays have been, unlike their Shakespearean counterparts, empowered to challenge the hegemonic patriarchal structures of their societies while others remain oppressed and submissive. The discussed Arab Shakespeare renditions constitute only illustrative samples of heroic and oppressed women in the Arab Shakespeare canon which has been known for producing political satires. The featured plays include Aḥmad Shawqī's Maṣra‘ Kileopatrā (The Fall of Cleopatra), Egypt, 1946; Nabyl Lahlou's Ophelia Is Not Dead, Morocco, 1968; Mamdūḥ Al-ʻUdwān's Hamlet Wakes Up Late, Syria, 1976; Yūsuf Al-Sāyyegh's Desdemona, Iraq, 1989; Jawād Al-Assadī's Forget Hamlet, Iraq, 1994; and A Midsummer Night's Dream, Palestine, 2011.

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Competing Visions

The Visual Culture of the Congo Free State and Fin de Siècle Europe

Matthew G. Stanard

Abstract

Studies of the visual culture of the Congo Free State (CFS) have focused overwhelmingly yet narrowly on the “atrocity” photograph used to criticize Leopold II's colonial misrule. This article presents a new picture of the visual culture of Leopold II's Congo Free State by examining a broader, more heterogeneous range of fin de siècle images of varied provenance that comprised the visual culture of the CFS. These include architecture, paintings, African artwork, and public monuments, many of which were positive, pro-Leopoldian images emphasizing a favorable view of colonialism. The visual culture of the CFS was imbued with recurring themes of violence, European heroism, and anti-Arab sentiment, and emerged from a unique, transnational, back-and-forth process whereby Leopold and his critics instrumentalized images to counter each other and achieve their goals.