Since 2015, the European Union has stepped up its efforts to curb irregular migration from sub-Saharan Africa through increasingly restrictive measures targeting transit countries along migratory routes, including Niger. While the EU has heralded the success of its policies to limit migration through Niger, EU migration policies have disrupted the economic system in Agadez, where transit migration has been one of the main sources of income and a factor of stability since the end of the Tuareg rebellions in 2009. This article discusses the impact that EU migration policies may have at the local level in countries of transit, and highlights the potential for these policies to fuel tensions between local and national authorities. The Agadez case study illustrates the importance of a multilevel approach to migration governance that takes into full consideration the role of local authorities and local communities in countries of transit.
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Stemming the Flows of Migrants, but at What Cost?
The Case of Irregular Migration from Libya
Libya is a significant transit country for irregular migration to Europe and is therefore the site of much effort by external policy makers, notably the European Union. External actors have been unable to formalize workable agreements with Libyan authorities to address or stop onward migration to Europe. Instead, they have been forced to develop arrangements with Libya’s neighboring countries to work around this impasse. This article examines the rhetoric behind efforts by individual European countries and the European Union to implement externally produced migration policies. From crisis narratives to invoking a humanitarian imperative to “save lives,” it is argued that these tropes justify various, at times competing, agendas. This results in almost no tangible improvement to the situation of irregular migrants or the capacity of authorities to deal with irregular migration, with one exception being that of the Libyan coast guard.
'William L Queux, Master of Misinformation'
Ailise Bulfin and Harry Wood
The Introduction prefaces a double special issue of Critical Survey examining the work of controversial popular author, journalist and amateur spy William Le Queux from 1880 to 1920. Known as the ‘master of mystery’, Le Queux was prominent in transmitting exaggerated fears about British national security before, during and after the First World War. The Introduction provides a historical and literary framework for the special issue and outlines its central premises: that cultural production in Le Queux’s era was intimately connected with contemporary socio-political forces; that this relationship was well understood by authors such as Le Queux, and often exploited for propagandist purposes; and that the resulting literary efforts were sometimes successful in influencing public opinion. The Introduction also outlines the overall finding that Le Queux’s work tended to distort his subject matter, misinform his readership, and blur the lines between fact and fiction in pursuit of his defencist agenda.
War Novelist, Defence Publicist and Counterspy
Roger T. Stearn
This article presents what is widely considered to be the best biographical account of the life of the controversial popular author, journalist and amateur spy, William Le Queux. The article originally appeared in Soldiers of the Queen, the journal of the Victorian Military Society, and is reproduced here with their kind permission in order to bring it before a new audience. It documents Le Queux’s life, from the little that is known about his early career through to his high-profile involvement in defence scaremongering before and during the First World War to his subsequent lapse into postwar obscurity.
Images of London in Dissolution in the Novels of William Le Queux
In the years before 1914 the novels of William Le Queux provided a catalyst for British debates about the economic, military and political failures of the empire and featured plots that embodied fears about new national and imperial rivals. For Le Queux, the capture of London was integral to German military occupation. Representative of the nation’s will to resist, or its inability to withstand attack, the vitality of London was always at issue in his novels. Drawing on contemporary fears about the capital and its decay, this article considers the moral panics about London and Londoners and their relationship to Britain’s martial decline reflected in his stories. Engaging with images of anarchist and foreign terrorism, and drawing on fears of covert espionage rings operating in government circles, this article probes the ways in which Le Queux’s fiction expressed concerns about London as a degenerate metropolis in the process of social and moral collapse.
William Le Queux's Dubious Place in Literary History, Part One
A. Michael Matin
Shortly after the outbreak of World War One, Charles Masterman was appointed by Prime Minister Asquith to oversee a covert literary propaganda campaign in support of the British war effort. Although William Le Queux had been one of the most prominent British anti-German writers during the prewar years, he was not recruited for this governmental endeavour that included many of the nation’s best-known writers. Nonetheless, he continued on his own to publish anti-German propaganda throughout the war. These two articles assess Le Queux’s national security-oriented writings within that broader context, and they offer a methodology for gauging the potential efficacy of such texts based on recent developments in the field of risk-perception studies. Part One provides a historical and methodological foundation for both articles and assesses a number of Le Queux’s pre-1914 works. Part Two (published in Section II of this issue) examines Le Queux’s career and writings from 1914 through to his death in 1927.
In contrast to William Le Queux’s pre-1914 novels about German spies and invasion, his wartime writing is much less well known. Analysis of a number of his works, predominantly non-fictional, written between 1914 and 1918 shows that he modified his perception of the threat posed by Germany in two ways. Firstly, because of the lack of a German naval invasion, he began to emphasise the more plausible danger of aerial attack. Secondly, because of the incompetent handling of the British war effort, he began to believe that an ‘Invisible Hand’ was responsible, consisting primarily of naturalised Germans. Switching form from fiction to non-fiction made his writing more persuasive, but he was not able to sustain this and he ended the war with less influence than he began it.
The Work of Diagrams
Lukas Engelmann, Caroline Humphrey and Christos Lynteris
Philip Steadman’s epilogue suggests that the copying of drawings (and its study) by anthropologists, psychologists, architectural students, and Surrealists is revealing not only of processes of diagrammatization but also of the fact that there is something ‘diagrammatic’ about the way in which designs are represented mentally, which affects how they are seen and altered when they are reproduced. The work of diagrams, not only as visual objects but also as mental processes, is shown by the articles in this special issue to play a central role in fields as diverse as psychoanalysis, anthropology, epidemiology, and biology. More often than not, the synergy between these fields is facilitated, and sometimes catalyzed, by shared diagrammatic practices. As the studies examined in the epilogue demonstrate, diagrams form a privileged visual field of interdisciplinary dialogue and exchange. But importantly, they also facilitate a way of information processing—what the editors of this special issue call ‘diagrammatic reasoning’—through which data are processed, presented, and reconfigured in clear and easily assimilated forms.
I first encountered Ai Weiwei’s Law of the Journey as an amalgam of Instagram tiles (see photos on following page). The imposing sixty-meter-long rubber lifeboat—filled with faceless rubber bodies—was reduced to a scrollable algorithm. Posted across multiple time zones and geotagged in places like the Prague National Gallery to the most recent incarnation on Cockatoo Island (a decommissioned shipyard on Sydney harbor), Law of the Journey enjoyed much better travel rights and Visa entitlements than the actual refugees it depicted. While beyond the control of the artist or exhibiting venues, the mobility of images of Law of the Journey nonetheless made me think about the representations of refugees and border violence within the global art circuit.
Religions, Morality, and Culture
Page Dougherty Delano
This article is a study of the complex social environment within the Vittel internment camp in eastern France during World War II. The Germans arrested some two thousand British women and then nearly three hundred American women of different class backgrounds, religions, political beliefs, and national affiliations, who were placed in the hotels of this spa town. The Vittel internment camp also became the temporary home of around three hundred Jews from the Warsaw ghetto, who claimed to possess American and South American citizenship. Most of these Jews were sent to their deaths at Auschwitz. Drawing on memoirs, letters, Red Cross reports, and scattered histories, this article explores the interactions, resistance, and prejudices of camp inhabitants. It argues that American women’s behavior was guided less by religious beliefs than one might expect in the context of the 1940s.