In the past two decades, “Welcome to Country” and “Acknowledgment of Country” practices have become commonplace at the commencement of most public events throughout Australia, and it is highly unusual to participate in a public event where some words of acknowledgment of the traditional owners and custodians of the locale are omitted. This article traces the origins of such practices while identifying the semantic, political, and conceptual differences between them. It articulates how precolonial protocols of encounter among distinct groups and individuals inform “Welcome to Country” practices, attesting to the ontological and epistemological continuity of the latter in relation to the former. It explores recent trends in the public understanding and positioning of both “Welcome to Country” and “Acknowledgment of Country” speeches and events, contextualizing their emerging positioning within the fabric of Australian settler colonial relations, particularly in the context of contemporary discourses on Aboriginal sovereignty and the constitutional recognition of Aboriginal and Torres Strait Islanders.
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Alessandro Pelizzon and Jade Kennedy
W.W. Greg first identified the dumb show in Hamlet as problematic: if Claudius sees the dumb show, which replicates his murder of Old Hamlet in mime, then why does he not react until much later? Many explanations have been offered, and this article responds to (in title and argument) John Dover Wilson’s influential account in What Happens in Hamlet (1935) which inspired much further debate. First discussing the anomalous nature of the dumb show in Hamlet, before turning to the different versions of the dumb show as they appear in the three substantive texts of Hamlet, this article considers the nature and content of the information supplied by dumb shows and the critical arguments that can be developed from these slippery inset performances.
Catherine E. Clark
This article looks at two seemingly disparate events: Georges Pompidou’s 1973 presidential visit to the People’s Republic of China (PRC) and the filming and release of Jean Yanne’s blockbuster comedy Les Chinois à Paris (1974). Both produced flawed visions of Franco-Chinese relations. During Pompidou’s visit, officials and the press attempted to demonstrate that France enjoyed warmer relations with the PRC than any other Western nation. Yanne’s film parodied the French fad for Maoism by imagining the People’s Liberation Army invading and occupying Paris. His film caused an uproar in the press and sparked official Chinese protest. The article ultimately argues that the two events were deeply related, part of a wave of popular and official interest in China in the early 1970s that extended well beyond the well-known stories of student and intellectual Maoists. This interest paved the way for Franco-Chinese relations as we know them today.
Everyday Peace and the Other in Bosnian Mixed-Ethnicity Families
In Bosnia, 20 years aft er a war of ethnic cleansing, mixed-ethnicity families swim against the stream of nationalist separatism that insists all Bosnians should be neatly sorted into ethnic categories. When asked about their experiences, however, mixed families in Sarajevo during fieldwork from 2011 to 2012 repeatedly insisted that they were just “ordinary,” “normal” families. In this article, I look closely at an ordinary evening in the life of one such family, examining how they achieve this atmosphere of everydayness within which ordinary kin relationships are sustained despite the volatility of diff erences in ethnic and religious affi liation. Using a conversation analytic approach and building on the work of ordinary ethics theorists, I argue that the sense of being an ordinary family is an accomplishment constituted through active intersubjective work.
Time, Public Credit, and David Hume’s Political Discourses
EDWARD JONES CORREDERA
This article explores David Hume’s views on public credit, the state, and geopolitics as outlined in his Political Discourses. By drawing attention to Hume’s analysis of the speed of political economic dynamics, the article suggests the philosopher feared that public credit, a crucial source of eighteenth-century European economic growth, fundamentally revolutionized the pace of social relations, the mechanics of the state, and European geopolitics at large. Hume’s study of public credit highlighted its role in reshaping eighteenth-century visions of time, and the philosopher’s disappointment with his own solution, in turn, reinforces the need to consider the multifaceted effects of public credit in the modern world.
Modeling Emergent Socioecological Outcomes of Environmental Change
Thomas P. Leppard
How will human societies evolve in the face of the massive changes humans themselves are driving in the earth systems? Currently, few data exist with which to address this question. I argue that archaeological datasets from islands provide useful models for understanding long-term socioecological responses to large-scale environmental change, by virtue of their longitudinal dimension and their relative insulation from broader biophysical systems. Reviewing how colonizing humans initiated biological and physical change in the insular Pacific, I show that varied adaptations to this dynamism caused diversification in social and subsistence systems. This diversification shows considerable path dependency related to the degree of heterogeneity/homogeneity in the distribution of food resources. This suggests that the extent to which the Anthropocene modifies agroeconomic land surfaces toward or away from patchiness will have profound sociopolitical implications.
Hayek, Pluralism, Democracy
Reading Friedrich Hayek’s late work as a neoliberal myth of the state of nature, this article finds neoliberalism’s hostilities to democracy to be animated in part by a romantic demand for belonging. Hayek’s theory of spontaneous order expresses this desire for belonging as it pretends the market is capable of harmonizing differences so long as the state is prevented from interfering. Approaching Hayek’s work in this way helps to explain why his conceptions of both pluralism and democracy are so thin. It also suggests that neoliberalism’s assaults upon democracy are intimately linked to its relentless extractivism. Yet the romantic elements in Hayek’s work might have led him toward a more radical democratic project and ecological politics had he affirmed plurality for what it enables. I conclude with the suggestion that democratic theory can benefit from learning to listen to what Hayek heard but failed to affirm: nature’s active voice.
Marian Falski’s Elementarz
Marian Falski’s “Reading Primer” (Elementarz) was the first textbook to be published in Warsaw in 1945 by the newly established State School Publishing House (Państwowe Zakłady Wydawnictw Szkolnych). It was officially approved by the Ministry of Education and by the Censorship Office, but nevertheless had an interim character, unlike other editions published before, during and after the war, both in Poland and abroad. The core of the book was reprinted from the prewar edition. However, in his depictions of war trauma and postwar circumstances the author was apparently trying to comply with the propaganda model developed during the Stalinist period. These findings are empirically grounded in a content analysis of the primers following archival research conducted in the files of the Ministry of Education and the Censorship Office, both of which are housed in the Modern Records Archive (Archiwum Akt Nowych) in Warsaw.
War and disaster in a Buddhist Sinhala village
This article analyzes the regimes of truth and efforts at falsification that emerged aft er the 2004 tsunami in Sri Lanka, where the experience of fear, the blurring of memory, and the fabrication of identity became normalized during the course of a long civil war. By shedding light on the memorialization processes in a Buddhist Sinhala village on the border of the northeastern Tamil zones, the article shows how the tsunami has reinforced governmental devices for controlling peoples and territories, insinuating itself into the core of the enduring process of securitization of fear in Sri Lanka. Yet, however much the politics of memory tends to cloud matters, the article also demonstrates that it never goes uncontested, as long as subjects can channel their capacity for action in unexpected directions.
Livia Jiménez Sedano
This is a brief reflection on the consequences of the commodification of dance cultures from the former colonised world and the ways they are consumed in Europe. Inspired from ten years of fieldwork, the ethnic structuring of postcolonial dance floors in European cities proves an empirical basis to start this line of thought. Instead of promoting respect and interest in the dance forms and the cultural contexts in which these dance forms developed, aficionados tend to consider that these are less evolved, beautiful and interesting than the appropriations they develop in their home countries. As a result, commodification leads to reinforcing previous stereotypes and emic hierarchies of value. The kinetic metaphor of the bodies that scream but cannot listen structures the text and its arguments.