This article compares Brian Friel’s play Give Me Your Answer, Do! with Eimear McBride’s novel A Girl Is a Half-formed Thing to inquire into why the characters react to their traumas with seemingly aberrant behaviours. These two modern Irish works seem to suggest that the characters find a devious, physical way of self-preservation when combatting their extremely powerless state of traumatisation, which exposes our conflicting drives in the face of trauma: although trauma is mostly associated with death drive towards self-destruction, we cannot overlook its connection to life drive. By analysing these traumatised characters’ bodies as the very platform on which the symbiosis of the two opposing instincts is staged, this article explores trauma’s indelible impacts on the body and the body’s troubled resilience.
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Examining Behavioural Reactions in Brian Friel's Give Me Your Answer, Do! and Eimear McBride's A Girl Is a Half-formed Thing
Amanda Bonnick, Yousif M. Qasmiyeh and Theophilus Kwek
High Seas, by Amanda Bonnick
My Life Is a Shadow of a Faraway Incident, by Fakhry Ratrout. Translated by Yousif M. Qasmiyeh and Theophilus Kwek
Engaging Humphrey and Laidlaw’s ‘archetypal actions of ritual’, this article explores the thing-like and seemingly externally derived quality of ritualized action in ‘alternative’ medical settings in Mongolia. The cultural rupture of the Soviet era presents a case study in which the continuity of ritualized action cannot be assumed in ritual making during the post-1990 (re)construction of national culture. Elements derived from shared public knowledge have become constituted in ritual more recently and frequently than can be accounted for by an aperture-like model, where previously external elements gradually filtered in. Building on regional literature concerning loss of ritual form and recent syncretic innovation, I suggest that the affordances of form—mobility, iterability, and malleability—capture the politics inherent in the reordering of associations in the making of ritual.
It is important to stress that Arab women writers have produced a new kaleidoscope of narrative fiction in English. They focus on a variety of representations with respect to identity, dislocation, cultural hybridity and belonging. Moreover they have tried to construct a stable subjectivity and a space of belonging. These narratives are now dispersed and relocated by Arab women diasporic novelists such as Hala Alyan. This article will examine Hala Alyan’s 2017 novel, Salt Houses. This debut novel has amalgamated different narrative experimentations and techniques, and how polyphonic spaces have dislocated the conventional act of narration and relocated it in tandem with the non-homogeneity of the Arab world itself.
Dermot Bolger’s 2015 novel Tanglewood is one of a raft of literary responses to the demise of Ireland’s recent economic ‘miracle’, the so-called ‘Celtic Tiger’. Bolger’s narrative is deeply critical of the corrupted morality that characterised facets of the property ‘boom’, a corner of the Irish economy that underlay such a significant part of the economic buoyancy of the country. Consequently, Bolger mobilises shame as one part of his critical armoury, and in so doing he resurrects a familiar affect in the Irish context. However, Bolger’s use of shame, and his suggestion that those who benefited most lavishly during Ireland’s Celtic Tiger period should be shamed, and feel ashamed, are deeply conservative and self-defeating ways of confronting the aftermath of the economic recession in Ireland. As we note, Bolger’s version of shame causes little more than personal isolation and familial fracture, and lacks any potential to partake of what we shall term ‘a revolutionary politics of shame’.
Moroccan Muslims and Jews through Western Lenses, 1860–1912
Michael M. Laskier
This study is a portrayal of Moroccan Muslims and Jews by European travellers, journalists, experts and diplomats from the latter half of the nineteenth century until the transformation of Morocco in 1912 into a colonial entity under French and Spanish protectorates. In this pre-colonial setting, we catch a glimpse of a traditional society and its gradual, albeit partial, evolution towards modernity among the Jews as well as an understanding of Europe’s economic, political and cultural penetration into the Sharifian Empire, which for hundreds of years preserved its independence when many Islamic societies capitulated to foreign domination. What were the major challenges confronted by Morocco in the pre-colonial era? Did Muslims and Jews conform to or reject modernisation brought by European culture? What were the socioeconomic conditions and the juridical status of the Jews vis-à-vis the Muslim majority? These are some of the main concerns of our investigation.
While it is widely known that the Jews of medieval Spain carried with them their language, literature and other traditions to the countries in which they settled following the Expulsion in 1492, little research has been conducted on the preservation of their material culture and the visual arts. In this article, these aspects are examined vis-à-vis the Judaic artistic production and visual realm of the Sephardi Jews in Morocco, who adhered to these traditions perhaps more staunchly than any other Sephardi community in modern times. The materials are divided into several categories which serve as an introduction to specific topics that each require further research. These include Hebrew book printing, Jewish marriage contracts (ketubbot), Hebrew manuscript decoration, clothing and jewellery relating to the world of the Sephardi-Moroccan woman and the interior of the home, and ceremonial objects for the synagogue.
Critical Perspectives on Marine Spatial Planning
Luke Fairbanks, Noëlle Boucquey, Lisa M. Campbell and Sarah Wise
Marine spatial planning (MSP) seeks to integrate traditionally disconnected oceans activities, management arrangements, and practices through a rational and comprehensive governance system. This article explores the emerging critical literature on MSP, focusing on key elements of MSP engaged by scholars: (1) planning discourse and narrative; (2) ocean economies and equity; (3) online ocean data and new digital ontologies; and (4) new and broad networks of ocean actors. The implications of these elements are then illustrated through a discussion of MSP in the United States. Critical scholars are beginning to go beyond applied or operational critiques of MSP projects to engage the underlying assumptions, practices, and relationships involved in planning. Interrogating MSP with interdisciplinary ideas drawn from critical social science disciplines, such as emerging applications of relational theory at sea, can provide insights into how MSP and other megaprojects both close and open new opportunities for social and environmental well-being.
Aquatic Imagery and Ecocritical Complexity in Titus Andronicus
This article revives the agency of Lavinia in Titus Andronicus through a blended ecocritical and complexivist approach. A ‘blue’ ecocritical lens identifies Lavinia’s alignment with aquatic imagery, and tracks the development of this imagery across four main phases in the play: human tears, a river, a flood, and a freeze. These phases broadly map onto different modes of ecological relations as the play explores alternative patterns of human–environmental interactions. Lavinia is reinterpreted as an active and independent complex ecosystem, and one capable of communicating through the same aquatic imagery which is utilised in the narrative to attempt to contain and commodify her. Titus’s aquatic discourse finds parallels in our own climate crises, in ongoing problematic associations between women and nature, and in our need to generate new models of agency and ecological relations.
Stuart Hampshire and the Normality of Conflict
By way of an engagement with the thought of Stuart Hampshire and his account of the ‘normality of conflict’, this article articulates a novel distinction between two models of value pluralism. The first model identifies social and political conflict as the consequence of pluralism, whereas the second identifies pluralism as the consequence of social and political conflict. Failure to recognise this distinction leads to confusion about the implications of value pluralism for contemporary public ethics. The article illustrates this by considering the case of toleration. It contends that Hampshire’s model of pluralism offers a new perspective on the problem of toleration and illuminates a new way of thinking about the accommodation of diversity as ‘civility within conflict’.