Barr’s Irn-Bru (previously Iron Brew), Scotland’s best-known soft drink, was promoted by recurrent comic strip advertisements in Scottish newspapers from 1939 to 1970. ‘The Adventures of Ba-Bru’ featured an eponymous Indian character who was joined by a kilt-wearing companion known as Sandy. This article explores how what the firm presents as the longest-running promotional comic strip in history has helped shape the construction of Scottishness in the drink’s advertising. The exotic nature of the central Ba-Bru figure provides a counterpoint to manifestations of local particularism but also grounds the drink’s discourse on Scottishness in a wider imperial and unionist context. The comic strips also generate examples of intermedial transfer that underline the impact of quotidian consumption habits in a national identity shaped by popular culture.
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As announced in our most recent editorial, this issue of Transfers features a series of reflections on the role of movement and mobilities in the fields of history of science, technology, and medicine. Four major collaborative projects in different stages of completion are introduced: “Moving Crops and the Scales of History”; “Individual Itineraries and the Circulation of Scientific and Technical Knowledge in China (16th–20th Centuries)”; “Migrating Knowledge”; and “Itineraries of Materials, Recipes, Techniques, and Knowledge in the Early Modern World.” Over the past few years, historical research on scientific and technological change and movement has altered substantially in form and content. Many projects have taken on a collaborative format as globalization and global exchange methodologies advanced and brought about an increased awareness of geographies, cultural differences, and postcolonial debate but also as sources became increasingly visible and available through digital means and researchers themselves became more mobile. The four examples selected can inevitably provide only a glimpse into this changing landscape and were chosen as offering a representative geographic coverage of European and US American scholarship in which, however, colleagues from a wide range of areas including India, South America, and Asia were involved.
Jean-Paul Gagnon and Selen A. Ercan
Democratic Theory’s eleventh issue (6, July 2019) features four new research articles as well as an interview, a critical commentary, a practitioner’s note and a book review. It begins with Stephanie Erev’s article, which explains neoliberalism’s assaults on democracy and nature. Working through Hayek, Erev suggests that opposing neoliberal extractivist culture from both the democratic and ecological standpoints “may offer the greatest promise for creative and collaborative struggles toward new worlds and new ways of life” today.
Elisabeth Timm and Patrick Laviolette
It is with a certain nostalgia and great sadness that we begin this issue by announcing the death of one of our journal’s founding editors, Prof. Christian Giordano [1945–2018], in the final days of last year – an obituary will be published in the next issue. With the passing of Ina-Maria Greverus in 2017, AJEC is now orphaned from its two founding editors. At a time when the Soviet Union was collapsing and Europe would begin facing even more drastic changes, Grevenus and Giordano had the collective vision in 1990 of launching the Anthropological Yearbook of European Cultures.
Mette Louise Berg, Elena Fiddian-Qasmiyeh and Johanna Waters
This second volume of Migration and Society marks our continued intellectual engagement with authors, artists, and guest editors to make the journal a dynamic platform for exchange and debate across disciplines and fields of thought and action around the issue of migration. Migration continues to be an ongoing issue of global import, and in the past few years we have seen powerful stakeholders around the world developing processes, dialogues, policies, and programs to respond to the challenges and questions that it raises. As editors of Migration and Society, we remain committed to the importance of fostering critical examinations of, and reflections on, migration and the way it is framed and understood by all actors. As these processes and policies have increasingly aimed to “control,” “manage,” “contain,” and “prevent” migration, the need for careful attention to migrants’ everyday practices, desires, aspirations, and fears is particularly urgent, as is the importance of situating these both historically and geographically.
Comics and Transnational Exchanges
The title of our journal implies there is such a thing as European comic art, even if in practice it is intended to indicate we focus on work produced (outside the United States) in European languages, leaving the fields of South East Asian and US comics to other publications in the discipline. However, European comics clearly have not developed in isolation from other comics traditions: from the earliest days, they have both impacted and absorbed influences from elsewhere: to cite an obvious example, Rudolph Dirks’s Katzenjammer Kids was modelled on Wilhelm Busch’s Max und Moritz, and both have served as templates for generations of mischievous children from Alain Saint-Ogan’s Zig et Puce, through Dennis the Menace, in both US and UK incarnations.
In Delhi, former street children guide tourists around the streets they once inhabited and show how the NGOs they live with try to resocialize current street children. The “personal stories” they perform implicitly advocate simple solutions that conveniently fit the limited engagement of the tourists, whose ethical position is thereby validated in relation to the NGO. But this uncomplicated exchange of guides’ emotions for tourists’ capital is in the guides’ interest, because it allows them to set boundaries for the emotional labor of performing their past suffering. The guides are thus incentivized to work within a post-humanitarian logic, selling their stories as commodities, which then incentivize the tourists to act as consumers, who have little choice but to frame their declarations of solidarity with the children as acts of consumption.
Spatialities and Materialities of ‘Gypsiness’
Andreea Racleș and Ana Ivasiuc
As one of the most stereotyped minorities, the Roma are particularly ‘good to think’ in relation to constructions of Europeanness. In the production of ‘Gypsiness’, the body, the space, and the materiality of the dwelling are linked through smell as signifiers of a racial and cultural inferiority that does not ‘belong’ in and to Europe. Drawing on research projects carried out in the outskirts of Rome and in a small Romanian town, our contribution relies on a juxtaposed ethnography of constructions of ‘Gypsiness’ in relation to the spatial, sensorial and material inscriptions of the body. The article will examine the relationship between space and the social production of smell, discussing how spaces inhabited by Roma play a role in ‘doing’ Europeanness in a contrastive mode.
The Politics of “Intolerability” in the Danish Migration and Integration Regimes
Julia Suárez-Krabbe and Annika Lindberg
Across Northern European states, we can observe a proliferation of “hostile environments” targeting racialized groups. This article zooms in on Denmark and discusses recent policy initiatives that are explicitly aimed at excluding, criminalizing, and inflicting harm on migrants and internal “others” by making their lives “intolerable.” We use the example of Danish deportation centers to illustrate how structural racism is institutionalized and implemented, and then discuss the centers in relation to other recent policy initiatives targeting racialized groups. We propose that these policies must be analyzed as complementary bordering practices: externally, as exemplified by deportation centers, and internally, as reflected in the development of parallel legal regimes for racialized groups. We argue that, taken together, they enact and sustain a system of apartheid.
“Epitaphic” features two poems that were written to speak to the poet’s interest in commemorating or capturing past moments, events, or persons. “Topographies” is concerned with the interplay between transience and permanence—the passing of time, changing relationships, but also the altering of emotional and physical landscapes. The poem largely speaks to a process of loss and memory, both on a macrocosmic or geographical level, and on a smaller, intimate level. Similarly, “Thanatos” connects with the broad theme of loss, particularly humanity’s inability to recognize, appease, or ameliorate the suffering of the animal Other