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Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

On the cover of this issue, we have another image from the Wellcome Collection. This image by ABIA (Associação Brasileira Interdisciplinar de AIDS/Grupo) is a not-for-profit organization mobilized in response to the emergence of HIV/AIDS in the 1980’s. The image is a reworking of the “Creation of Adam” by Michelangelo and was used as part of HIV/AIDS prevention advertising campaign.

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Ambivalent Sexualities in a Transnational Context

Romanian and Bulgarian Migrant Male Sex Workers in Berlin

Victor Trofimov

In this article, I explore negotiations of sexualities among Romanian and Bulgarian migrant male sex workers in Berlin. After explaining the concept of sexual script, I argue that inasmuch as those sex workers work on the gay male scene but spend the rest of their daily lives within the broader Romanian and Bulgarian communities, they need to negotiate between the gay male and the heteropatriarchal sexual scripts, which are prevalent in these social spaces, respectively. I examine six strategies by means of which the sex workers surf the binarisms of the scripts and in so doing reveal the ambivalence and sociospatial situatedness of human sexuality.

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Jacob Breslow, Jonathan A. Allan, Gregory Wolfman, and Clifton Evers

Miriam J. Abelson. Men in Place: Trans Masculinity, Race, and Sexuality in America (Minneapolis: University of Minnesota Press, 2020), 264 pp. ISBN: 9781517903510. Paperback, $25.

Andrew Reilly and Ben Barry, eds. Crossing Gender Boundaries: Fashion to Create, Disrupt and Transcend (Bristol: Intellect Books, 2020), 225 pp. ISBN: 9781789381146. Hardback, $106.50.

Jonathan A. Allan. Men, Masculinities, and Popular Romance (London: Routledge, 2019), 176 pp. ISBN: 9780815374077. Paperback, $31.95.

Andrea Waling. White Masculinity in Contemporary Australia: The Good Ol’ Aussie Bloke (Abingdon, UK: Routledge, 2020), 222 pp. ISBN: 9781138633285. Hardback, $124.

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Breaching Flowery Borders

Early Twentieth Century Girls Scrapbooking Their Lives

Leslie Midkiff DeBauche

The American high school seniors I discuss in this article graduated between 1915 and 1922, tumultuous years that included World War I, the influenza pandemic of 1918 to 1919, and the ratification of the Nineteenth Amendment. During such extraordinary times, these girls did a most ordinary thing; they made scrapbooks to commemorate their high school years.

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James K. Beggan

External ejaculation (the cum shot) is considered a central component of heterosexual pornography and is often used to visually mark the end of an action of sexual intercourse. Critical analyses of pornography have asserted that external ejaculation can be conceptualized in terms of the maintenance of heteronormative expectations of male dominance as expressed through hegemonic masculinity. The present analysis adopts a broader view of external ejaculation by considering the phenomenon in terms of contamination, performance, and discipline. The polysemic analysis presented suggests that in some cases the conventions of pornography as represented in the external cum shot can represent a threat to masculinity and male spectators by creating unrealistic expectations for male sexual performance.

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Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

Dr. David William Foster, Regents Professor of Spanish at Arizona State University, passed away on June 24, 2020, at the age of seventy-nine. Dr. Foster was a pioneering scholar in Latin American studies, with a scholarly interest in gender and sexual identity, women’s literature and cultural production, and Jewish culture.

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“The Dragon Can’t Roar”

Analysis of British Expatriate Masculinity in Yusuf Dawood’s One Life Too Many

Antony Mukasa Mate

This article examines British masculinity in Kenya. It focuses on British expatriate Sydney Walker, the protagonist of Yusuf Dawood’s One Life Too Many, who moves to Kenya at the height of British colonial rule and stays on in the new postcolonial state under black rule. It looks at how he constructs his masculinity among fellow men and in relation to the female other. Walker struggles to retain the colonial masculinity of his predecessors amid shifting terrain. Using the key concepts of hegemonic and subordinate masculinities as presented in Raewyn Connell’s masculinity theory, which argues that gendered relationships in institutions are controlled by power, this article examines the diverse masculinities in One Life Too Many and argues that sex plays a major role as an instrument of power that heterosexual men use to dominate other men and subordinate women. It contends that the power dynamics in the sexual arena symbolically represent the shifting power relations in the postcolonial Kenyan state, in which the status of British working-class men had changed due to their loss of political power.

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In Pursuit of Masculinity

On Aging Bodies, Migration and Youthful Masculinities

Usman Mahar

In this article, I describe the roles played by society and individual life-history on the aging process of a South Asian artist in Europe. Using participant observation and the life-history method, I look at my informant’s emotional practices of aging. The resultant case study delineates his emotional pursuits and his views on what it means to be a man in his early sixties. I start by reviewing anthropological critiques of many of the current taken-for-granted gendered and biomedical conceptions of the aging body. Thereafter, I try to add to the debate surrounding these conceptions by looking into the affective economy of aging that my informant is embedded in. The article is as such an effort to understand the role that affect and emotional practices play in youthful ideals and self-conceptualizations of aging and masculinity.

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Introduction

Bodies, Sexualities, and Masculinities in the Time of Coronavirus

Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

As we were putting to bed the first issue of Journal of Bodies, Sexualities, and Masculinities, we began to see headlines about the coronavirus and its disease, COVID-19. By the time the issue came out, it was clear that the world had changed. This introduction is written during a time of being self-isolated, quarantined, and in various forms of lockdown. We are now told to socially distance ourselves from one another. We are all paying close attention to whether or not the curve has been flattened or planked.

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Beholding Ourselves

Black Girls as Creators, Subjects, and Witnesses

Erin M. Stephens and Jamaica Gilmer

The bus was full of excited chatter as it pulled up in front of the Metropolitan Museum of Art (known universally as The Met) on Fifth Avenue on a cold morning in January. Thirteen girls, along with invited loved ones, had traveled for nine-and-a-half hours from Durham, NC, to view their art displayed in the exhibit, “Pens, Lens, and Soul: The Story of The Beautiful Project” (hereafter, “Pens, Lens, and Soul”). First, the girls filed off the bus to take a photograph on the steps of The Met. As their family and friends waited to disembark, they laughed and shivered while posing for numerous photographs and videos on the cold steps. As they stood at the bottom of the steps of the grand prestigious museum, the impressiveness of their accomplishment was just beginning to dawn on many of them. As she walked around the exhibit one of the artists would comment, “I feel surprised because I didn’t realize it was this big of a thing and I was here and it’s a thing, it’s a big thing … we are capable of doing anything.”