In contrast to William Le Queux’s pre-1914 novels about German spies and invasion, his wartime writing is much less well known. Analysis of a number of his works, predominantly non-fictional, written between 1914 and 1918 shows that he modified his perception of the threat posed by Germany in two ways. Firstly, because of the lack of a German naval invasion, he began to emphasise the more plausible danger of aerial attack. Secondly, because of the incompetent handling of the British war effort, he began to believe that an ‘Invisible Hand’ was responsible, consisting primarily of naturalised Germans. Switching form from fiction to non-fiction made his writing more persuasive, but he was not able to sustain this and he ended the war with less influence than he began it.
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I first encountered Ai Weiwei’s Law of the Journey as an amalgam of Instagram tiles (see photos on following page). The imposing sixty-meter-long rubber lifeboat—filled with faceless rubber bodies—was reduced to a scrollable algorithm. Posted across multiple time zones and geotagged in places like the Prague National Gallery to the most recent incarnation on Cockatoo Island (a decommissioned shipyard on Sydney harbor), Law of the Journey enjoyed much better travel rights and Visa entitlements than the actual refugees it depicted. While beyond the control of the artist or exhibiting venues, the mobility of images of Law of the Journey nonetheless made me think about the representations of refugees and border violence within the global art circuit.
Cultural anthropology in France continues to bear the influence of a colonial-era distinction between “modern” societies with a high degree of social differentiation (and marked by rapid social change) and ostensibly socially homogeneous and change-resistant “traditional” ones. The history of key institutions (museums and research institutes) bears witness to this, as does recent scholarship centered on “the contemporary” that reworks earlier models and concepts and applies them to a world increasingly marked by transnational circulation and globalization. Anthropology at the Crossroads describes the evolution of a national tradition of scholarship, changes to its institutional status, and the models, concepts, and critical perspectives of anthropologists currently revisiting and reworking the foundations of the discipline in France.
Anastasia Deligiaouri and Jane Suiter
How can we define democracy today given the continuous changes that modern societies are undergoing? What is the role of a democratic theorist? This paper articulates a threefold argument in responding to these questions by analyzing the term of democracy in vitro, in vivo, and in actu. The first step is to secure a democratic minimum and the core principles of democracy. The second step involves studying democracy as an ongoing project and examining how the principles of this democratic minimum are encoded. In the third step we deploy the basic premises of discourse theory of Laclau and Mouffe when evaluating a specific discourse of democracy, as this approach encompasses both discursive and nondiscursive practices. Utilizing this three-level evaluative framework for democratic theory will allow us to not only articulate normative principles but also evaluate them according to their mode of implementation.
Field Notes as First Responder Witness Accounts
I position critical ethnographic researcher field notes as an opportunity to document the physical and ideological violence that white settler states and institutions on the school-prison nexus inflict on the lives of girls of color generally and Black girls specifically. By drawing on my own field notes, I argue that critical social science researchers have an ethical duty to move their inquiries beyond conventions of settler colonial empirical science when they are wanting to create knowledges that transcend traditions of body counts and classification systems of human lives. As first responders to the social emergencies in girls’ lives, researchers can make palpable spatialization of institutionalized forms of settler epistemologies to convey more girl-centered ways of speaking against quantifiable hierarchies of human life.
A (Re)Mapping Guide towards Harriet Tubman and Beyond
Loren S. Cahill
Blackgirls have a long subaltern legacy of being geographers. We have complicated the settler-colonial project of cartography uniquely through our radical placemaking efforts towards achieving safety, inclusion, and liberation. In this autoethnographic article, I trace my own socio-spatial-sensory reflections that I experienced during my visit to Harriet Tubman’s Homeplace, Senior Home, and Grave Site in Auburn, New York. I attempt to unsettle the undertheorized renderings of Tubman by interrogating her personal freedom dreams, liberation geography, and womanist cartography. I then map the intergenerational solidarity that Blackgirls have forged with Tubman more contemporarily through their own space making. I conclude by unpacking what ontological lessons both knowledge producers and organizers can glean from Tubman’s geographic sacredness and savvy.
Naomi J. Andrews, Simon Jackson, Jessica Wardhaugh, Shannon Fogg, Jessica Lynne Pearson, Elizabeth Campbell, Laura Levine Frader, Joshua Cole, Elizabeth A. Foster and Owen White
Silyane Larcher, L’Autre Citoyen: L’idéal républicain et les Antilles après l’esclavage (Paris: Armand Colin, 2014).
Elizabeth Heath, Wine, Sugar, and the Making of Modern France: Global Economic Crisis and the Racialization of French Citizenship, 1870–1910 (Cambridge: Cambridge University Press, 2014).
Rebecca Scales, Radio and the Politics of Sound in Interwar France, 1921–1939 (Cambridge: Cambridge University Press, 2016).
Claire Zalc, Dénaturalisés: Les retraits de nationalité sous Vichy (Paris: Éditions du Seuil, 2016).
Bertram M. Gordon, War Tourism: Second World War France from Defeat and Occupation to the Creation of Heritage (Ithaca: Cornell University Press, 2018).
Shannon L. Fogg, Stealing Home: Looting, Restitution, and Reconstructing Jewish Lives in France, 1942–1947 (Oxford: Oxford University Press, 2017).
Sarah Fishman, From Vichy to the Sexual Revolution: Gender and Family Life in Postwar France (New York: Oxford University Press, 2017).
Frederick Cooper, Citizenship between Empire and Nation: Remaking France and French Africa, 1945–1960 (Princeton: Princeton University Press, 2014).
Jessica Lynne Pearson, The Colonial Politics of Global Health: France and the United Nations in Postwar Africa (Cambridge, MA: Harvard University Press, 2018).
Darcie Fontaine, Decolonizing Christianity: Religion and the End of Empire in France and Algeria (New York: Cambridge University Press, 2016).
Christopher Blake Evernden, Cynthia A. Freeland, Thomas Schatz and Frank P. Tomasulo
Rikke Schubart, Mastering Fear: Women, Emotions, and Contemporary Horror (New York: Bloomsbury, 2018), 384 pp., $117 (hardback), ISBN: 9781501336713.
Xavier Aldana Reyes, Horror Film and Affect: Towards a Corporeal Model of Viewership (New York: Routledge, 2016), xii + 206 pp., $49.95 (paperback), ISBN: 9781138599611.
David Bordwell, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling (Chicago: University of Chicago Press, 2017), 592 pp., $30.00 (paperback), ISBN: 9780226639550.
Todd Berliner, Hollywood Aesthetic: Pleasure in American Cinema (Oxford: Oxford University Press, 2017), 320 pp., $39.95 (paperback), ISBN: 9780190658755.
Thomas Meagher and Farhang Erfani
A. Shahid Stover, Being and Insurrection: Existential Liberation Critique, Sketches and Ruptures (New York: Cannae Press, 2019), 266 pp., $20, ISBN: 9781733551007 (paperback)
Yoav Di-Capua, No Exit: Arab Existentialism, Jean-Paul Sartre, and Decolonization (Chicago: University of Chicago Press, 2018), 336 pp., $35, ISBN: 9780226503509 (paperback)
Boris Belge, Anna Bara, Tricia Starks and Christopher J. Ward
Smoking under the Tsars: A History of Tobacco in Imperial Russia. Tricia Starks. (Ithaca, NY: Cornell University Press, 2018), xiii + 320 pp. ISBN 978-1-5017-2205-9.
White Fox and Icy Seas in the Western Arctic: The Fur Trade, Transportation and Change in the Early Twentieth Century. John R. Bockstoce. (New Haven and London: Yale University Press, 2018), 327 pp., index, illustrations, maps, $40.00 (hardback). ISBN 978-0-300-22179-4.
Delo—Tabak: Polveka fabriki “Iava” glazami ee rukovoditelia. Leonid Sinel’nikov. (Moscow: Delo, 2017), 511 pp., ISBN: 978-5-7749-1260-5.
Life Histories of Etnos Theory in Russia and Beyond. David G. Anderson, Dmitry V. Arzyutov and Sergei S. Alymov, eds. (Cambridge, UK: Open Book Publishers, 2019), 425 pp., https://doi.org/10.11647/OBP.0150, ISBN 9781783745449.