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Cultural anthropology in France continues to bear the influence of a colonial-era distinction between “modern” societies with a high degree of social differentiation (and marked by rapid social change) and ostensibly socially homogeneous and change-resistant “traditional” ones. The history of key institutions (museums and research institutes) bears witness to this, as does recent scholarship centered on “the contemporary” that reworks earlier models and concepts and applies them to a world increasingly marked by transnational circulation and globalization. Anthropology at the Crossroads describes the evolution of a national tradition of scholarship, changes to its institutional status, and the models, concepts, and critical perspectives of anthropologists currently revisiting and reworking the foundations of the discipline in France.

I position critical ethnographic researcher field notes as an opportunity to document the physical and ideological violence that white settler states and institutions on the school-prison nexus inflict on the lives of girls of color generally and Black girls specifically. By drawing on my own field notes, I argue that critical social science researchers have an ethical duty to move their inquiries beyond conventions of settler colonial empirical science when they are wanting to create knowledges that transcend traditions of body counts and classification systems of human lives. As first responders to the social emergencies in girls’ lives, researchers can make palpable spatialization of institutionalized forms of settler epistemologies to convey more girl-centered ways of speaking against quantifiable hierarchies of human life.

Blackgirls have a long subaltern legacy of being geographers. We have complicated the settler-colonial project of cartography uniquely through our radical placemaking efforts towards achieving safety, inclusion, and liberation. In this autoethnographic article, I trace my own socio-spatial-sensory reflections that I experienced during my visit to Harriet Tubman’s Homeplace, Senior Home, and Grave Site in Auburn, New York. I attempt to unsettle the undertheorized renderings of Tubman by interrogating her personal freedom dreams, liberation geography, and womanist cartography. I then map the intergenerational solidarity that Blackgirls have forged with Tubman more contemporarily through their own space making. I conclude by unpacking what ontological lessons both knowledge producers and organizers can glean from Tubman’s geographic sacredness and savvy.

Rikke Schubart, Mastering Fear: Women, Emotions, and Contemporary Horror (New York: Bloomsbury, 2018), 384 pp., $117 (hardback), ISBN: 9781501336713.

Xavier Aldana Reyes, Horror Film and Affect: Towards a Corporeal Model of Viewership (New York: Routledge, 2016), xii + 206 pp., $49.95 (paperback), ISBN: 9781138599611.

David Bordwell, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling (Chicago: University of Chicago Press, 2017), 592 pp., $30.00 (paperback), ISBN: 9780226639550.

Todd Berliner, Hollywood Aesthetic: Pleasure in American Cinema (Oxford: Oxford University Press, 2017), 320 pp., $39.95 (paperback), ISBN: 9780190658755.

Smoking under the Tsars: A History of Tobacco in Imperial Russia. Tricia Starks. (Ithaca, NY: Cornell University Press, 2018), xiii + 320 pp. ISBN 978-1-5017-2205-9.

White Fox and Icy Seas in the Western Arctic: The Fur Trade, Transportation and Change in the Early Twentieth Century. John R. Bockstoce. (New Haven and London: Yale University Press, 2018), 327 pp., index, illustrations, maps, $40.00 (hardback). ISBN 978-0-300-22179-4.

Delo—Tabak: Polveka fabriki “Iava” glazami ee rukovoditelia. Leonid Sinel’nikov. (Moscow: Delo, 2017), 511 pp., ISBN: 978-5-7749-1260-5.

Life Histories of Etnos Theory in Russia and Beyond. David G. Anderson, Dmitry V. Arzyutov and Sergei S. Alymov, eds. (Cambridge, UK: Open Book Publishers, 2019), 425 pp., https://doi.org/10.11647/OBP.0150, ISBN 9781783745449.

Crisis and Existentialism in the Work of Reinhart Koselleck

Gennaro Imbriano, Der Begriff der Politik: Die Moderne als Krisenzeit im Werk von Reinhart Koselleck [The concept of politics: Modernity as a time of crisis in the work of Reinhart Koselleck] (Frankfurt: Campus Verlag, 2018), 187 pp.

Jan Eike Dunkhase, Absurde Geschichte: Reinhart Kosellecks historischer Existentialismus [Absurd history: Reinhart Koselleck’s historical existentialism] (Marbach: Deutschen Literaturarchiv Marbach, 2015), 67 pp. --- Humanity in Practice: New Approaches to Conceptual History

Fabian Klose and Mirjam Thulin, eds., Humanity: A History of European Concepts in Practice from the Sixteenth Century to the Present (Göttingen: Vandenhoeck & Ruprecht, 2016), 324 pp. --- The Merits of Mistranslation

Eric Schatzberg, Technology: Critical History of a Concept (Chicago: University of Chicago Press, 2018), 344 pp. --- Beyond Universalism and Nativism: The Conceptual Vocabulary of Indian Modernity

Gita Dharmpal-Frick, Monika Kirloskar-Steinbach, Rachel Dwyer, and Jahnavi Phalkey, eds., Key Concepts in Modern Indian Studies (New Delhi: Oxford University Press, 2015), 350 pp.

A. Shahid Stover, Being and Insurrection: Existential Liberation Critique, Sketches and Ruptures (New York: Cannae Press, 2019), 266 pp., $20, ISBN: 9781733551007 (paperback)

Yoav Di-Capua, No Exit: Arab Existentialism, Jean-Paul Sartre, and Decolonization (Chicago: University of Chicago Press, 2018), 336 pp., $35, ISBN: 9780226503509 (paperback)

Silyane Larcher, L’Autre Citoyen: L’idéal républicain et les Antilles après l’esclavage (Paris: Armand Colin, 2014).

Elizabeth Heath, Wine, Sugar, and the Making of Modern France: Global Economic Crisis and the Racialization of French Citizenship, 1870–1910 (Cambridge: Cambridge University Press, 2014).

Rebecca Scales, Radio and the Politics of Sound in Interwar France, 1921–1939 (Cambridge: Cambridge University Press, 2016).

Claire Zalc, Dénaturalisés: Les retraits de nationalité sous Vichy (Paris: Éditions du Seuil, 2016).

Bertram M. Gordon, War Tourism: Second World War France from Defeat and Occupation to the Creation of Heritage (Ithaca: Cornell University Press, 2018).

Shannon L. Fogg, Stealing Home: Looting, Restitution, and Reconstructing Jewish Lives in France, 1942–1947 (Oxford: Oxford University Press, 2017).

Sarah Fishman, From Vichy to the Sexual Revolution: Gender and Family Life in Postwar France (New York: Oxford University Press, 2017).

Frederick Cooper, Citizenship between Empire and Nation: Remaking France and French Africa, 1945–1960 (Princeton: Princeton University Press, 2014).

Jessica Lynne Pearson, The Colonial Politics of Global Health: France and the United Nations in Postwar Africa (Cambridge, MA: Harvard University Press, 2018).

Darcie Fontaine, Decolonizing Christianity: Religion and the End of Empire in France and Algeria (New York: Cambridge University Press, 2016).

Many cities of Russia’s Far North face a massive population decline, with the exception of those based on oil and gas extraction in the Yamalo-Nenets Autonomous District. Yet, there is one more exception to that trend: the city of Yakutsk, capital of the Sakha (Yakutia) Republic, whose population is booming, having grown from 186,000 in 1989 to 338,000 in 2018, This unique demographic dynamism is founded on the massive exodus of the ethnic Yakut population from rural parts of the republic to the capital city, a process that has reshaped the urban cultural landscape, making Yakutsk a genuine indigenous regional capital, the only one of its kind in the Russian Far North.

This article is a history of liquidity presented as interaction between metaphors and theoretical concepts in social contexts. While taking note of Zygmunt Bauman’s metaphor “liquid modernity,” the study instead surveys the wider conceptual field. The text turns around mercantile liquidity (liquidity as clarification) and liquidity in modern economics (characteristic of all assets), as well as older metaphors, notably the famous phrase of the Communist Manifesto, “all that is solid melts into air” (Alles Ständische und Stehende verdampft), which is revealed to have resonance in texts by poets, notably Heinrich Heine. The main result is the historical consistency of the field, where liquidity is a promise of knowledge and clarity.