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Non “Religious” Knowing in Pilgrimages to Sacred Sites

Greek Cypriots’ “return” Pilgrimages to the Monastery of Apostolos Andreas (Cyprus)

Evgenia Mesaritou


Even though pilgrimages may often be directed toward what can conventionally be seen as “religious” sacred sites, religious and ritual forms of knowledge and ignorance may not necessarily be the only, or even the most prominent, forms in their workings. Focusing on Greek Cypriots’ return pilgrimages to the Christian-Orthodox monastery of Apostolos Andreas (Karpasia) under the conditions of Cyprus's ongoing division, in this article I explore the non “religious” forms of knowing and ignoring salient to pilgrimages to sacred religious sites, the conditions under which they become relevant, and the risks associated with them. Showing how pilgrimages to the monastery of Apostolos Andreas are situated within a larger framework of seeing “our places,” I will argue that remembering and knowing these places is the type of knowledge most commonly sought out by pilgrims, while also exploring what the stakes of not knowing/forgetting them may be felt to be. An exclusive focus on “religious” forms of knowledge and ignorance would obscure the ways in which pilgrimage is often embedded in everyday social and political concerns.

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« Nous ne voulons pas de Blancs dans le pays »

l'insurrection des populations de la Haute-Sangha et la pacification de l'espace rebelle (1928–1931)

Patrick Dramé

Cet article se propose d'étudier à l'aune du concept de « commandement » et des notions de « pacification » et de résistance, l'insurrection des populations de la Haute-Sangha et, plus particulièrement, des Bayas du territoire colonial de l'Oubangui-Chari entre 1928 et 1931. La révolte est imputable aux nombreuses contraintes induites par l'encadrement administratif et la « mise en valeur » économique coloniale de l'Afrique Équatoriale Française (AEF). La dissidence est alors centrée autour d'un messianisme incarné par Karinou dont l'objectif ultime est le recouvrement de l'ordre précolonial. D'où la mobilisation d'une variété de modes de résistance vis-à-vis du colonisateur. Or, la détermination de l'État colonial à rétablir l'ordre l'amène à user de la violence armée et de la répression judiciaire afin de venir à bout de l'insurrection.

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Gill Gregory

Departed, by Gill Gregory

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Policing the French Empire

Colonial Law Enforcement and the Search for Racial-Territorial Hegemony

Samuel Kalman

Commenting on the colonial setting in its twilight during the Algerian War of Independence, Frantz Fanon famously observed: “Le travail du colon est de rendre impossible jusqu'aux rêves de liberté du colonisé. Le travail du colonisé est d'imaginer toutes les combinaisons éventuelles pour anéantir le colon (the task of the colonizer is to make impossible even the dreams of liberty of the colonized. The task of the colonized is to conceive of every possible strategy to wipe out the colonizer).”

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“Purely Artistic”

Police Power and Popular Culture in Colonial Algerian Theater

Danielle Beaujon


Following World War II, French police surveillance in Algeria increasingly focused on the threat of Algerian nationalism and policing theater proved no exception. The police assiduously investigated the contents of plays and the background of performers, seeking to determine whether a performance could be considered “purely artistic.” In cracking down on theater, the police attempted to produce “pro-French” art that could influence Algerian loyalties, a cultural civilizing mission carried out by the unlikely figure of the beat cop. Ultimately, their mission failed. Live performances presented an opportunity for spontaneity and improvisation that revealed the weakness of colonial policing. In this article, I argue that in trying to separate art from politics, the police created an impossibly capacious idea of the political, giving officers justification for inserting themselves into intimate moments of daily life. The personal, the interpersonal, and the artistic became a realm of police intervention.

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Radical Reactionary

The Politics of William Le Queux

Harry Wood


This article provides a detailed examination of the politics of William Le Queux. It argues that he is best understood as a product of the Edwardian radical right. Firstly, through exploring the politics of pre-1914 invasion anxieties and invasion-scare fiction, the article will question the idea that such literature was fundamentally Tory in quality. Instead, this emerging genre of popular fiction will be placed to the right of Edwardian Conservatism. Approaching Le Queux through his position as the most prominent author of British invasion literature at this time, the article will re-examine the available biographical evidence, highlighting the challenges scholars face in pinpointing his political leanings. Le Queux's numerous invasion-scare novels will be interpreted through the disparate ideas of the radical right. Although Le Queux's writing had little intellectual influence on radical right thinking in Britain, his novels provided this developing ideology with a prominent popular platform.

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Sarah Richmond

I am so grateful to Matthew Eshleman and Adrian van den Hoven for their generous, insightful comments. Translating can be a lonely activity, especially when the text is as lengthy as BN. At the end of hours of involvement with Sartre's French – perched, as it were, on the edge of his mind – I often felt in need of other, auxiliary minds to re-centre me, to save me from toppling over completely into Sartre's consciousness and drowning. In these moments, I usually turned to dictionaries and other internet resources to bolster my critical distance; more rarely, I would email fellow translators or philosophers for help. But I have had very little of the attentive, fine-grained dialogue offered here, and I have immensely enjoyed, and benefited from, this exchange. Hopefully, SSI readers will also find it of interest.

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The Return of N'Guyen Van Binh

Exile and Injustice in the French Empire, 1866–1876

Geoff Read


This article explores the case of N'Guyen Van Binh, a South Vietnamese political prisoner exiled for his alleged role in “Poukhombo's Rebellion” in Cambodia in 1866. Although Van Binh's original sentence of exile was reduced to one year in prison he was nonetheless deported and disappeared into the maw of the colonial systems of indentured servitude and forced labor; he likely did not survive the experience. He was thus the victim of injustice and his case reveals the at best haphazard workings of the French colonial bureaucracy during the period of transition from the Second Empire to the Third Republic. While the documentary record is entirely from the perspective of the colonizers, reading between the lines we can also learn something about Van Binh himself including his fierce will to resist his colonial oppressors.

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Adrian van den Hoven


Sarah Richmond's translation makes an important contribution to Sartrean scholarship. L'Etre et le néant was first translated by Hazel Barnes in 1956 but it contained various errors. Richmond also had access to the internet and to Sartre's French and German sources. Her edition also contains an Introduction and a ‘Notes on the translation’ section.

Sartre published his work in 1943 and, unable to access all the works he cited, he often did so from memory. He also adopted certain translators’ neologisms: for example, Corbin's translation of Heidegger's Qu'est-ce que la métaphysique? , and when he quoted Nietzsche, he used two different translations, and he quotes Spinoza using a text by Hegel. He quotes a line from the playwright Beaumarchais without clarifying the context.

Sarah Richmond deals with many of these problems and also notes that the French gender system can be problematic. Also, Sartre's neologisms rendered finding English equivalents difficult. This is an excellent translation.

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Sociality, Seriousness, and Cynicism

A Response to Ronald Santoni on Bad Faith

Jonathan Webber


This article is a clarification and development of my interpretation of Sartre's theory of bad faith in response to Ronald Santoni's sophisticated critique, published in this issue. It begins by clarifying Sartre's conception of a project and explaining his claim that one project is fundamental, thereby elucidating the idea that bad faith is a fundamental project. This forms the groundwork of my responses to Santoni's critique of my interpretation, which comprises four arguments: Sartre does not consider us to be ontologically and congenitally disposed to bad faith; Santoni is right that social pressure cannot explain the prevalence of bad faith, but this is a problem with Sartre's theory rather than a problem for my interpretation of it; Sartre's conception of seriousness is merely an optional strategy of bad faith; and Sartre is right to deny that bad faith is an inherently cynical project.