Last March, a well-known Tunisian critic wondered about the motivations that had led Mohamed Driss, the head of the Tunisian National Theatre and one of the greatest directors in the country, to direct a Shakespeare play: What is today the purpose of reproducing a Shakespearean tragedy, when all over the world directors are desperately searching for new creative ways, new means for attracting a public who is more and more disinterested by the theatre?
Search Results
In Critical Survey
- Published (Print):
- 01 Dec 2007
- Article Type:
- Research Article
- Pages:
- 95–106 (11 total)
Khalid Amine, Mark Bayer, Rafik Darragi, Sameh F. Hanna, Graham Holderness, Margaret Litvin, and Bryan Loughrey
Notes on contributors