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Bridging the Gap Between the Light and Dark Side of the Force: A Contemporary Kleinian View of Star Wars

Jason Dean and Geoffrey Raynor

disavowed and projected to the external world. The result is that Luke finds himself in an entirely hostile environment, in which he fears the persecution of Darth Vader, a perfectly evil foe. For instance, in Episode IV – A New Hope (George Lucas, 1977

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Strikingly Low Agreement in the Appraisal of Motion Pictures

Pascal Wallisch and Jake Alden Whritner

should be higher in experiences induced by VR. Whether movies are sufficient to reveal irreducible and real differences in how individuals interpret reality or whether the apparent lack of agreement in appraisal is due to an impoverished environment

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Affective Anachronisms, Fateful Becomings

Otaku Movement and the Joan of Arc Effect in Type-Moon's Transhistorical Anime Ecology

David John Boyd

, gamers experience a powerfully affective use of sound in an original soundtrack and professional voiceovers, as well as an ornately rich compilation of mangaesque illustrations of iconic, historical characters in anachronistic environments—ranging from

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On-Beat/Off-Beat

Visual Responses to Audio-Visual Asynchrony in Music Videos

Thorbjörn Swenberg and Simon Carlgren

Research Ethics Committee 2008 ), and passed all stipulated criteria. Both procedure and stimuli were passed as ethically good based on Dalarna University's research standards. Procedure A lab environment was used for the experiment, and participants

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How Many Emotions Does Film Studies Need?

A Phenomenological Proposal

Julian Hanich

terms. Standard Situations and Emotional Experiences As Noël Carroll has variously underlined, when we watch a film, our emotions are structured slightly differently than in everyday situations: we do not have to scan the environment and appraise