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Invoking the “Yolocaust”?

German Memory Politics, Cultural Criticism, and Contemporary Popular Arts

Ralph Buchenhorst

. It might be concluded that the scope of mass media is a decisive tool to initiate a transnational coming to terms with the past, while each nation has to find its own way to remember. Without disregarding the fact that recent developments in art and

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Visual Storytelling about Genocide, Displacement, and Exile

Encounters with Rithy Panh

Katarzyna Grabska

parcel of my greater understanding of the artist's experiences of violence, conflict, displacement, and coming to terms with the past. They allowed me to experience, sense, and feel the moment, the individual and the collective, the visual and the

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“Welcome to Country” and “Acknowledgment of Country”

(Re)Conciliatory Protest

Alessandro Pelizzon and Jade Kennedy

Country . Richmond, Victoria : Hardie Grant Travel . McAuley , Gay . 2009 . “ Unsettled Country: Coming to Terms with the Past .” About Performance 9 : 45 – 65 . dn = 901656146522791. McKenna , Mark . 2014 . “ Tokenism or Belated Recognition

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Book Reviews

Jonathan Bach, Heather L. Dichter, Kirkland Alexander Fulk, Alexander Wochnik, Wilko Graf von Hardenberg, and Carol Hager

importance and interest in each other, and which would eliminate colonial attitudes for good—the final step of Vergangenheitsbewältigung (coming-to-terms with the past). Sean Ireton and Caroline Schaumann, ed. Heights of Reflection: Mountains in

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The Alternative Liste Westberlin and the Evolution of the West German Left

Keith Alexander

-1989, parliament became the al ’s Standbein —its standing leg, the focus of much of its work—and the extra-parliamentary arena became its Spielbein , its kicking leg. Coming-to-terms with the Past A new emphasis marked the al ’s parliamentary activities

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American and British Efforts to Democratize Schoolbooks in Occupied Italy and Germany from 1943 to 1949

Daniela R. P. Weiner

These very different educational paths are representative of the two countries’ divergent politics of coming to terms with the past in general. In the broadest possible terms, West Germany, which was created out of the British, American, and French

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The Aesthetics and Publics of Testimony

Participation and Agency in Architectural Memorializations of the 1993 Solingen Arson Attack

Eray Çaylı

August . Kaufman , D. [ 1998 ] 2005 . ‘ The Nazi Legacy: Coming to Terms with the Past ’. In P. James (ed.), Modern Germany: Politics, Society and Culture . London : Routledge , 119 – 134 . Kempner , M. 1993 . ‘ Hausabbruch hat begunnen

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Moral Thresholds of Outrage

The March for Hrant Dink and New Ways of Mobilization in Turkey

Lorenzo D’Orsi

: Markus . Gül Kaya , Duygu . 2015 . “ Coming to Terms with the Past: Rewriting History through a Therapeutic Public Discourse in Turkey .” International Journal of Middle East Studies 47 ( 4 ): 681 – 700 . 10.1017/S0020743815000938 Gültekin , Uygar

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Introduction Displacement, Memory and the Visual Arts

Second-Generation (Jewish) Artists

Imogen Wiltshire and Fransiska Louwagie

her father which she found after he died, her mother's audio testimony, and travels to Poland and Auschwitz. Reflecting on her own position as a second-generation artist, Brunstein considers her practice both as a way of coming to terms with the past

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Between Resistance and the State

Caribbean Activism and the Invention of a National Memory of Slavery in France

Itay Lotem

abolition in concluding that “la République est née avec le combat contre l’esclavage. 1794, 1848: la République, c’est l’abolition.” 50 Secondly and just as importantly, it referred to a trajectory of “coming to terms with the past” that strengthened