Foucault, Jacques Derrida, and Seán Burke soon joined, still linger on (see Burke 2008 ). In film studies specifically, a tendency is to move discussion from single authorship (a film director) toward “collaborative and decentered” authorship, as Jason
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Enactive Authorship
Second-Order Simulation of the Viewer Experience—A Neurocinematic Approach
Pia Tikka
Ruined Abjection and Allegory in Deadgirl
Sol Neely
has become celebrated and dominant in Anglo-feminist critical theories. 3 My sense of “diachrony” here is informed both by Foucault’s notion of genealogy as diachrony and by Emmanuel Levinas’s notion of diachrony as tied to the saying and which
“There’s nothing makeup cannot do”
Women Beauty Vloggers’ Self-Representations, Transformations, and #thepowerofmakeup
Michele White
.1177/1464700106064423 Bartky , Sandra L. 1988 . “ Foucault, Femininity, and the Modernization of Patriarchal Power .” In Feminism and Foucault , ed. Irene Diamond and Lee Quinby , 61 – 86 . Boston : North-eastern University Press . Ben , Esther Ruiz . 2007
A Cinema of Movement
Michele Barker
enables us to consider new cinematographies emerging in documentary and artistic practice alike as a new kind of cinema of movement. Notes 1 Deleuze’s concept of surfing is introduced in relation to Michel Foucault’s shift from disciplinary
Pushing the Boundaries
Curating LuYang, a Global Artist Embedded in Local Situatedness
Nora Gantert and Malte Lin-Kröger
fixed selfhood in favor of malleable, self-created forms of subjectivity. Recalling Foucault's concept of “technologies of the self” and his ideas on the “art of living,” Oscar Bulaong Jr. remarks: “To create the self as a work of art points to self
Book Reviews
Jeffrey M. Zacks, Trevor Ponech, Jane Stadler, and Malcolm Turvey
) and the narrative fictional Forgiveness (2006). S , erban, who aspires to think and write about metaphysical, world-historical, and ethical-political affairs in the elusive theoretical idioms of Foucault, Zˇizˇek, and Badiou, will remind many readers
Book Reviews
Wyatt Moss-Wellington, Dooley Murphy, Robert Sinnerbrink, and Kirsten Moana Thompson
model in turn founded on Michel Foucault's self-contained notion of ethics as “a self's relationship to itself” (68), a solipsistic approach the book returns to but that necessarily loses sight of one's effect on others. Moreover, in a chapter introduced
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