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Sade for Sade's Sake

Inside Paul Chan's Transmedial Laboratory

Olivier Delers

novel as a genre to build a cohesive political philosophy through plot, characters, pornographic scenes, and long digressions on the morality of crime. For his part, Chan seeks to translate the Sadean text into a visual inquiry that questions our

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Monstrous Masses

The Human Body as Raw Material

John Marmysz

inspired by a tradition of philosophy, first initiated by G.W.F. Hegel and later developed in the existentialist thought of Jean-Paul Sartre, which emphasizes the phenomenological description of lived experience while striving to avoid political

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Lieke Hettinga and Terrance Wooten

. A deeply interdisciplinary project, Chen's study traverses—with ease—through performance studies, film and media studies, philosophy, queer studies, and critical ethnic studies in order to position its stakes. Dancing and drifting through these

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Anthony Enns

: Routledge . 10.4324/9780203143322 Brown , Thomas . 1820 . Sketch of a System of the Philosophy of the Human Mind . Edinburgh : Bell, Bradfute, Manners and Miller, and Waugh and Innes . Campion-Vincent , Véronique . 1999 . “ The Tell-Tale Eye

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Objet A(ffect) and Che(www) Vuoi

The Fleshy Horror of the Unknowable Other in Spring and Honeymoon

Dewey Musante

? In Eugene Thacker’s In the Dust of This Planet , the author attempts to analyze the discreet unknowableness of the world or what he would call “the horror of philosophy.” He writes, “Our phenomenal experience of the world is determinatively a human

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Looking for Something to Signify

Something to Signify Gender Performance and Cuban Masculinity in Viva

David Yagüe González

. It is due to this engagement that queer of color critique opens the discussion to interdisciplinarity, welcoming points of view from philosophy and culture as well as economics, political thought, and activism, and also to nation beyond the Western

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On Shock Therapy

Modernist Aesthetics and American Underground Film

William Solomon

to him in the shape of his prospective audience, who thus expressed metonymically the capacity of the systematic whole of capitalism to degrade its human parts (314). Conversely, Bergson’s philosophy captured only the soothing blackness that masked

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Before and After Ghostcatching

Animation, Primitivism, and the Choreography of Vitality

Heather Warren-Crow

Tongue ,” which references Ghostcatching in relation to another live dance included in The Breathing Show (and to the philosophy of Jacques Derrida) (2005: 87–92). Deviations from this trend include Tiffany E. Barber’s previously mentioned

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Modernist Embodiment

Sisyphean Landscape Allegory in Cinema

David Melbye

. References Baracco , Alberto . 2019 . Philosophy in Stan Brakhage's Dog Star Man: World, Metaphor, Interpretation . New York : Palgrave Macmillan . 10.1007/978-3-030-12426-7 Camus , Albert . (1942) 1955 . The Myth of Sisyphus and Other Essays

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Michele Barker

.” Framework: The Journal of Cinema and Media 54 ( 2 ): 259 – 330 . 10.1353/frm.2013.0025 Manning , Erin . 2009 . Relationscapes: Movement, Art, Philosophy . Cambridge, MA : MIT Press . 10.7551/mitpress/9780262134903.001.0001 Mannoni , Laurent