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Feeling Like Death

How La Pointe Courte (1955) and Le Bonheur (1965) Construct a Palpable Aesthetics of Mortality

Caitlin Wilson

Art of Advertising Happiness: Agnès Varda's Le Bonheur and Pop Art. ” Studies in French Cinema 18 ( 2 ): 133 – 155 . Kristeva , Julia . 1982 . Powers of Horror: An Essay on Abjection , New

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“They don’t even know how to copy”

The discourse on originality in Albania’s art world

Sofia Kalo

, reference, appropriation, citation, odd conjunctures, pastiches, and other playful and ironic values tend to govern contemporary, postmodern production and taste. As a result, pop art, Earth art, installation art, performance art, pattern

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The Oceanic Silence of Rebecca Horn

India Halstead

utopian visions of Marxism had, for many, lost their appeal. 6 In the visual arts, this change resulted in the emergence of two (very different) aesthetic preoccupations. On one side were Dada, surrealism, and pop art, movements that continued to respond

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On, In, and Within a Place

Six Modes of Operation in Israeli Conceptual Art and Landscape Architecture in the 1970s

Efrat Hildesheim, Tal Alon-Mozes, and Eran Neuman

, conceptual art, pop art, Art Brut and Italian Arte Povera (Breitberg-Semel 1986; Tammuz et al. 1980 ; Ofrat 2004a ), embracing these cutting-edge artistic possibilities and incorporating them into a local artistic language. Artists affiliated with “Want of

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Intermediality and Comics

Domingo Sánchez-Mesa and Jan Baetens

the shift from this ‘old’ medium to the emerging and more upscale medium of the graphic novel. 31 The clever mix of very traditional comics elements, such as the reuse of the three-by-three grid page layout or the exaggerated, post-pop art

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Book Reviews

Maria Bucur, Alexandra Ghit, Ayşe Durakbaşa, Ivana Pantelić, Rochelle Goldberg Ruthchild, Elizabeth A. Wood, Anna Müller, Galina Goncharova, Zorana Antonijević, Katarzyna Sierakowska, Andrea Feldman, Maria Kokkinou, Alexandra Zavos, Marija M. Bulatović, Siobhán Hearne, and Rayna Gavrilova

political propaganda. Chapter 3 demonstrates that Americanization was not related only to popular but also to high culture in the context of pop art and abstract art. Chapter 4 brings into discussion the golden age of comic books, detective stories, and