extreme form when race is injected into the picture. From the perspective of the “white gaze,” black male bodies become threatening “things,” menacing in their darkness and symbolic of filth, danger, and animality. They are not truly human, he argues, but
Search Results
Monstrous Masses
The Human Body as Raw Material
John Marmysz
Screened Bodies
Brian Bergen-Aurand
, feminism and masculinity studies, trans* studies, queer theory, critical race theory, class analysis, cyborg studies, and dis/ability studies. In addition to this introduction to screened bodies, volume 1, issue 1 of the journal features research articles
Reviews
Jane M. Kubiesa, Looi van Kessel, Frank Jacob, Robert Wood, and Paul Gordon Kramer
science takes on the parental role and the future of the human race is brought into question. The final chapter, “Failed Futurity” by co-editor Andrea Wood, seems to answer this question as Wood assesses the lost future of the zombie child and the
Transitions Within Queer North African Cinema
Nouri Bouzid, Abdellah Taïa, and the Transnational Tourist
Walter S. Temple
of the camera, which Fred throws against an abandoned boat that has washed ashore. Bouzid, whose camera’s transnational gaze does not discriminate against race or nationality, captures the very essence of Bezness, which is the omnipresent search for
Passing for Children in Cate Shortland’s Lore
Andrew J. Webber
, identity is embodied in a most ambiguous way. He inhabits an identity as a Jewish Holocaust survivor, and as such represents a scandal for the ideology of race that Lore has adopted as orthodoxy through her parents. By making Lore older than her fictional
Toxic Representation and the Politics of Care for Antiracist Queer and Trans History
Jess Dorrance
W. E. B. Du Bois's album Types of American Negroes, Georgia, U.S.A. as shown in Shawn Michelle Smith's book Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture (2004). Image courtesy of the artists. The third
Los Roldán and the Inclusion of Travesti Narratives
Representations of Gender-Nonconforming Identities in Argentinian Telenovelas
Martín Ponti
gender-nonconforming people who are on the female spectrum. The term's intersectional aspect includes race and class as part of its deployment and definition, since travestis are racialized as nonwhite following their exclusion from educational and formal
Whose Club Is It Anyway?: The Problematic of Trans Representation in Mainstream Films——“Rayon” and Dallas Buyers Club
Akkadia Ford
-ed-how-transparent-tried-and-failed-represent-trans-men (accessed 30 November 2016 ). Keegan , Cael. 2015 . “ Race-ing as Temporal Dis/ability: Trans Futurism and Racial Mattering in the Films of Lana Wachowski .” Paper presented at the 8th Annual D.C. Queer Studies Symposium: Queer Speculations , 17
Anxious Breath
An Autoethnographic Exploration of Non-binary Queerness, Vulnerability, and Recognition in Step Out
Lara Bochmann and Erin Hampson
recognize it too. Notes 1 All images in this article are taken from the short film Step Out (property of the authors). The film can be accessed here: https://vimeo.com/316172696 . 2 For example, race, ability, neurodivergence, and other forms