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Embodied Liberation

The Female Reception of Oshima Nagisa's International Co-Productions

Yuta Kaminishi

Bowie's queerness and his performance beyond gender stereotypes in the films, Julie Lobalzo Wright remarks that “visual transformation, emphasis on performance and his non-naturalistic, ‘alien’ image … are encapsulated by Bowie's queer iconography

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Before and After Ghostcatching

Animation, Primitivism, and the Choreography of Vitality

Heather Warren-Crow

up (or literally, a set of orbits whitened up) enough to be seen while simultaneously reassuring the viewer of the accuracy of the blackface stereotype through the inscription of natural “life-like” non/human movement ( Fleischer 1915 ). Max

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Akkadia Ford

devastating periods in twentieth-century gay and transsexual history, and Dallas Buyers Club serves as a powerful reminder of the historical and social backgrounds against which mainstream films continue the hegemonic stereotyping of narratives and

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The New Imitation Game

The Queer Sinitic Potentialities of Internet Romance Games

Carlos Rojas

Sinocentric assumptions can be similarly interrogated. This is important because, as Yunying Huang remarks in an article for this special issue, to envision equitable futures—and to avoid reinforcing stereotypes—we need more pluralistic understandings of

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Queer Sinofuturism

The Aberrant Movements and Posthumanist Mutations of Body, Identity, and Matter in Lu Yang's Uterus Man

Gabriel Remy-Handfield

transgender personae to posit a state of being that powerfully defies any stereotypes” (2018: 137). The title of the artwork also functions as an antithesis: the uterus is part of the female body, and it is now associated with the word “man,” revealing the

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Los Roldán and the Inclusion of Travesti Narratives

Representations of Gender-Nonconforming Identities in Argentinian Telenovelas

Martín Ponti

's assumption that “all transsexuals are male-to-female, and that all trans women want to achieve stereotypical femininity” (2007: 16). Serano further identifies two archetypes that most trans characters fit into. The trans character is presented as either the