Bowie's queerness and his performance beyond gender stereotypes in the films, Julie Lobalzo Wright remarks that “visual transformation, emphasis on performance and his non-naturalistic, ‘alien’ image … are encapsulated by Bowie's queer iconography
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Embodied Liberation
The Female Reception of Oshima Nagisa's International Co-Productions
Yuta Kaminishi
Before and After Ghostcatching
Animation, Primitivism, and the Choreography of Vitality
Heather Warren-Crow
up (or literally, a set of orbits whitened up) enough to be seen while simultaneously reassuring the viewer of the accuracy of the blackface stereotype through the inscription of natural “life-like” non/human movement ( Fleischer 1915 ). Max
Akkadia Ford
devastating periods in twentieth-century gay and transsexual history, and Dallas Buyers Club serves as a powerful reminder of the historical and social backgrounds against which mainstream films continue the hegemonic stereotyping of narratives and
The New Imitation Game
The Queer Sinitic Potentialities of Internet Romance Games
Carlos Rojas
Sinocentric assumptions can be similarly interrogated. This is important because, as Yunying Huang remarks in an article for this special issue, to envision equitable futures—and to avoid reinforcing stereotypes—we need more pluralistic understandings of
Queer Sinofuturism
The Aberrant Movements and Posthumanist Mutations of Body, Identity, and Matter in Lu Yang's Uterus Man
Gabriel Remy-Handfield
transgender personae to posit a state of being that powerfully defies any stereotypes” (2018: 137). The title of the artwork also functions as an antithesis: the uterus is part of the female body, and it is now associated with the word “man,” revealing the
Los Roldán and the Inclusion of Travesti Narratives
Representations of Gender-Nonconforming Identities in Argentinian Telenovelas
Martín Ponti
's assumption that “all transsexuals are male-to-female, and that all trans women want to achieve stereotypical femininity” (2007: 16). Serano further identifies two archetypes that most trans characters fit into. The trans character is presented as either the