discourse—how we talk about sexuality—both empowers and weakens individuals and communities ( Fine 1988 ; Foucault 1990; Jones 2011 ). Media, however produced, sends important messages about sexuality that are either actively or surreptitiously marketed
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Chloe Krystyna Garcia and Ayesha Vemuri
Pushing the Boundaries
Curating LuYang, a Global Artist Embedded in Local Situatedness
Nora Gantert and Malte Lin-Kröger
fixed selfhood in favor of malleable, self-created forms of subjectivity. Recalling Foucault's concept of “technologies of the self” and his ideas on the “art of living,” Oscar Bulaong Jr. remarks: “To create the self as a work of art points to self
Wyatt Moss-Wellington, Dooley Murphy, Robert Sinnerbrink, and Kirsten Moana Thompson
model in turn founded on Michel Foucault's self-contained notion of ethics as “a self's relationship to itself” (68), a solipsistic approach the book returns to but that necessarily loses sight of one's effect on others. Moreover, in a chapter introduced
Jeffrey M. Zacks, Trevor Ponech, Jane Stadler, and Malcolm Turvey
) and the narrative fictional Forgiveness (2006). S , erban, who aspires to think and write about metaphysical, world-historical, and ethical-political affairs in the elusive theoretical idioms of Foucault, Zˇizˇek, and Badiou, will remind many readers