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Exploring Gay Men's Threesomes

Normalization, Concerns, and Sexual Opportunities

Ryan Scoats, Eric Anderson, and Adam J. White

within the last year (an additional 27.7 percent had experiences more than a year ago). In comparison, Debby Herbenick and colleagues’ (2017) nationally representative sample of adult men and women in the United States found much lower rates of lifetime

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William P. Seeley

Paradise , National Lampoon's European Vacation , or an episode of the TV serial Alf ). Why? The same perceptual affective and cognitive processes underwrite all of these encounters. That is the power of research in the neuroscience of art. However, it

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Editorial

Situating Screen Bodies

Brian Bergen-Aurand

offence which often targets females,” it is crucial here to acknowledge its special focus on “gender-based violence” and its citation of “Chapter 12 of the National Development Plan (NDP),” which “stipulates that ‘gender-based violence in South Africa is

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Jess Dorrance

fleeting moments of camp, pleasure, or provoked tensions as opposed to aspiring to more “permanent” interventions. As a mode of navigating relationships across histories, identities, and experiences, queer/trans messiness begins from the assumption that

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Wyatt Moss-Wellington

we can draw between dissonance in one’s self-identity and in one’s apprehension of an external world, although the two are closely related, especially as we will often gravitate toward beliefs about the world which advantage the self. We can then

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Affective Anachronisms, Fateful Becomings

Otaku Movement and the Joan of Arc Effect in Type-Moon's Transhistorical Anime Ecology

David John Boyd

figures that identify as national identity avatars) like King Arthur, Nero Claudius, or Atilla the Hun are represented as victims, rather than perpetrators, of imperial history and the violence of nationalist myth-building. Nasu reminds us repeatedly in

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Embodied Liberation

The Female Reception of Oshima Nagisa's International Co-Productions

Yuta Kaminishi

identities and queer images. The moment he appeared in Mr. Lawrence in 1983 Bowie had already transformed multiple times, from Ziggy Stardust to Aladdin Sane to the Thin White Duke, to name a few of his personas. As a rock star in the age of transmedia, he

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Toward a Naturalized Aesthetics of Film Music

An Interdisciplinary Exploration of Intramusical and Extramusical Meaning

Timothy Justus

symbolic, because the mapping between form and meaning is not arbitrary. Alternatively, the opening bars of a national anthem, while bearing no structural similarity to the country they represent, come to acquire a symbolic association. As with intramusical

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Close to You

Karen Carpenter and the Body-Martyr in Queer Memory

Julian Binder

schedule. That same day, Nixon addressed national radio and television audiences about the resignation and firing of a number of his advisors hours before the Carpenters took to the stage, where the President himself introduced Karen, Richard, and their

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Christopher Blake Evernden, Cynthia A. Freeland, Thomas Schatz, and Frank P. Tomasulo

specific female representations as exemplars of both identity horror and social horror. Schubart references Barbara Creed's The Monstrous Feminine (2003) and its relation of the female teenage body as “a playground for bodily wastes … beautiful on the