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Cinematographic High-Contrast Lighting Can Facilitate Empathetic Affective Mimicry

Alan Voodla, Elen Lotman, Martin Kolnes, Richard Naar, and Andero Uusberg

, 78] = 1.12, p = .331). Statistical Analysis The data were analyzed within the statistical computing environment RStudio ( RStudio Team 2015 ). For repeated measures ANOVAs, the alpha level was set to 0.05. When Mauchly's test indicated a

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Book Reviews

Robert Sinnerbrink and Matthew Cipa

rooted in the body’s interactions with the world. Cognitive functions cannot be understood without reference to the interactions between brain, body and environment” (17). In forecasting the shape of the rest of the book, the authors emphasize in

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Reviews

Tru Leverette and Barbara Mennel

's public roles in the Weimar Republic. Over a third of Bauhaus students were women responding to a coeducational environment of artistic and social experimentation. Starting in 1920, Gropius instituted an informal quota to limit the enrollment of female

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Naturalizing Aesthetic Experience

The Role of (Liberated) Embodied Simulation

Vittorio Gallese

: 191) because “the crafted environment of narrative artefacts enables the authors of such objects to shape, and thus to distil and concentrate, our responses to a high degree” (192) by means of a specific engineering of “an object precisely designed to

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Handover Bodies in a Feminist Frame

Two Hong Kong Women Filmmakers’ Perspectives on Sex after 1997

Gina Marchetti

particular historical moment in which sexuality, gender, and geopolitics converge as part of the transition associated with the territory’s change in sovereignty. The tension between the Handover body and the HKSAR urban environment is central when it comes

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Violent Thresholds

Sights and Sounds of the Cinematic Baroque in Pascal Laugier's Martyrs

Lawrence Alexander

having “the remote character of some subterranean fact” (1985: 3–4). On this account, the “we” that Laugier refers to is separated irrevocably from the pained body, cut off from the public and the social environments that structure conventional models of

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Book Reviews

Kata Szita, Paul Taberham, and Grant Tavinor

muscle movements, brain activity, or physiological responses to control an avatar or the game environment, but the mechanisms cannot be too obvious, Nacke and colleagues stress, in order not to allow the player to manipulate the logic and mechanisms of

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Communicative Functions of Performer Expressiveness and Their Artistic and Aesthetic Aspects: Analysis of a Scene from Smiles of a Summer Night

Johannes Riis

or relate to the environment in certain ways. As he puts it, “the link between emotion and expression is thus an intrinsic one. It is that between a plan and its execution, or between an intention and the behavior that realizes that intention” (Frijda

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The Eisenstein-Vygotsky-Luria Collaboration

Triangulation and Third Culture Debates

Julia Vassilieva

environment), enacted (constituted in part by action), and extended (located in the environment). Eisenstein met Vygotsky and Luria around 1925. While Vygotsky died from tuberculosis in 1934, Eisenstein and Luria remained in close contact until the former

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Book Reviews

Jeffrey M. Zacks, Trevor Ponech, Jane Stadler, and Malcolm Turvey

”—attuned to the nefarious impact on natural and human environments of cinema technologies and screen cultures—fits with Sinnerbrink's map of ethical-philosophical topics in Part III. Inês Rebanda Coelho's discussion of authorship in cinema and television and