In late 1792, the British people and government unexpectedly found themselves facing a refugee crisis as thousands of French émigrés fled to England—crossing the Channel by any means they could, often in unseaworthy boats. The Morning Chronicle
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“Screening France” in America takes several forms: American films that take place in France or use French people as their central characters, French films released in the US, and American remakes of French films. Since American remakes of French films usually become full-fledged American movies, and French films are often re-edited before being shown on American screens, all forms tend to display the same characteristics, often determined by the American cinematic taste for romance, a clear separation between good and evil, and a preferably happy ending that will gather all the loose ends. Though such characteristics may satisfy moviegoers’ instinctive longings for romance, happiness and clear-cut morals, this taste was reinforced and legitimized during the Production Code and studio system era (from the 1930s through the 1950s).
Old Paradigms, Current Tendencies, New Directions
Over the past three decades modern French history has undergone important changes, introducing new methodologies and taking up new questions. Two directions are especially promising. Since the “global turn” of the 1990s, many French historians have shifted their focus outside of the hexagon to examine France in a global and transnational context. Their work has explored the contradictions of France's democratic heritage and exclusionary practices evident in the history of colonialism, immigration, and ethno-racial exclusion. A second body of research has addressed the gender dimensions of French colonialism and has examined how colonialism deployed sexuality and sexual difference in maintaining colonial rule. Both strands of research have demonstrated how France's engagement beyond the hexagon has shaped French institutions and social life.
Sophie Chevalier, ed., Anthropology at the Crossroads: The View from France (Canon Pyon, UK: Sean Kingston Publishing, 2015). Two stories emerge from this book. The first is the history of a national tradition of scholarship: the factors
Rapping French Cities in the 1990s
Blurring Marseille and Brightening Paris in Contested Processes of Boundary Making
depictions of urban boundaries. Nor has the sociological literature done much to illuminate the subtleties of how French rappers create boundaries in their music. This article aims to do just that by comparing how rap artists depict territory in Paris and
Irwin M. Wall
The French elections of 2012 resulted in an unprecedented and overwhelming victory by France's Socialist Party, which gained control of the presidency and an absolute majority in the National Assembly to go with the party's existing domination of most of France's regions and municipalities. But the Socialist Party remains a minority party in the French electoral body politic, its victory the result of a skewered two-ballot electoral system. The Socialist government, moreover, remains hampered in its action by its obligations toward the European Union and its participation in the zone of countries using the Euro as it attempts to deal with France's economic crisis. As a consequence of both of these phenomena the government may also be sitting atop a profound political crisis characterized by the alienation of a good part of the electorate from the political system.
With FPCS embarking on its fourth decade of publishing work on the study of France and the francophone world, the journal invited scholars in several disciplines to write short essays on where they thought the field of French Studies should head in the future. This essay introduces the resulting dossier on “French Studies and Its Futures.” It situates the project in the current context in which the field is thriving intellectually but struggling with menacing institutional pressures. It goes on to describe the particular formulation of French Studies that the journal came to represent in its early years in the 1980s, how it evolved since, and what that experience suggests about how scholars can respond creatively to the challenges and opportunities the future may hold for the field.
Pablo Facundo Escalante
“Our discipline works under a tacit presupposition of teleology .” —Reinhart Koselleck At the end of the nineteenth century, republicanism became the mythomoteur on which France’s identity was shaped throughout the following century. Back then, the
From Insurrectional Socialism to French National Socialism
Gustave Hervé and the Great War
Michael B. Loughlin
In The Banquet Years , a fascinating account of the Parisian avant-garde, Roger Shattuck focuses on several iconoclastic artists, even though they were never considered leading figures. 1 A similar opportunity regarding French political avant
“national.” Coudert drew on international law for his argument, principally the example of laws of nationality in French Algeria. This aspect of his argument, and the extent to which it shaped the Court's somewhat ambiguous opinion about González, were