Search Results

You are looking at 81 - 90 of 95 items for :

  • "environment" x
  • Film Criticism x
  • Refine by Access: All content x
  • Refine by Content Type: All x
Clear All Modify Search
Restricted access

“There’s nothing makeup cannot do”

Women Beauty Vloggers’ Self-Representations, Transformations, and #thepowerofmakeup

Michele White

_officially_sucks_to_be_female_on_the_internet_95_percent_of_online_abuse_is_aimed_at_women/ (accessed 27 February 2016 ). Wotanis , Lindsey , and Laurie McMillan . 2014 . “ Performing Gender on YouTube: How Jenna Marbles Negotiates a Hostile Online Environment .” Feminist Media Studies

Restricted access

Other Sides

Loving and Grieving with Heart of a Dog and Merleau-Ponty's Depth

Saige Walton

streaks the car's windshield, leaving droplets of water running down the surface of the screen. Water flows throughout the film's real-world environments, and it also features in its “visionary” sequences. In the bardo , Lolabelle's silhouette is seen

Restricted access

Synthetic Beings and Synthespian Ethics

Embodiment Technologies in Science/Fiction

Jane Stadler

, characterizes virtual humans as “software artifacts that look like, act like and interact with humans but exist in virtual environments” (2014, 4). For instance, ICT researchers have created “Ellie,” a screen-based, AI-driven virtual human who converses

Restricted access

Emotional Responses to Savior Films: Concealing Privilege or Appealing to Our Better Selves?

Erin Ash

, as social identities like race are highly accessible and easily identifiable. Dana Mastro suggests the proliferation of racial stereotypes in content make media in particular “a symbolic environment through which the process of in

Restricted access

Editing and Cognition Beyond Continuity

Karen Pearlman

, sensitivity, judgment, creativity, rumination, and, as John Sutton says, “flexible, real-time engagements with the shifting, tricksy physical and social environment” (2007: 778). Editors generally refer to their expertise as “intuitive.” In First Cut

Restricted access

Shaping Edits, Creating Fractals

A Cinematic Case Study

James E. Cutting and Karen Pearlman

duration” found in the literature (e.g., Bordwell 2006 ; Salt 2009 ). We find this term confusing, since long shots are about cinematography (showing much of an environment) rather than about editing, and long-duration shots are called long takes. 9

Restricted access

A Cognitive-Affective Approach to Foregrounding Categorical-Thematic Patterns in Popular Cinema

Bartosz Stopel

, which Panksepp characterizes as a dopamine-based brain reward system that encourages organisms to scan the environment looking for resources. As it sustains interest and motivation to pursue and continue looking for whatever an organism craves, this

Restricted access

Book Reviews

Steven Willemsen, Mario Slugan, Elke Weissmann, and Lucy Bolton

way as to enable them to sense the everyday experiences of these women alongside them. This includes the discrimination that the women face as a result of a normative environment that physically excludes little people. But it also includes the women

Restricted access

Dr. Strangelove and the Psychology of Comic Distance

Marc Hye-Knudsen

our immediate environment (Keltner, Oatley, and Jenkins 2018). Scholars, however, have long debated what characterizes the stimuli capable of eliciting this response in us—what kinds of things tend to strike us as funny ( Morreall 2009, 1–24 ). Most

Restricted access

Seeing Yourself in the Past

The Role of Situational (Dis)continuity and Conceptual Metaphor in the Understanding of Complex Cases of Character Perception

Maarten Coëgnarts, Miklós Kiss, Peter Kravanja, and Steven Willemsen

diagram the interaction between image schemas, cinematic form, and concepts as in Figure 7 . The first level defines the level of the body, situated in a real world environment. It includes all of our human sensory-motor interactions that provide the