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Meglio di ieri

Educational Films, National Identity and Citizenship in Italy from 1948 to 1968

Anne Bruch

assessed critically in feature films such as Vittorio de Sica’s Ladri di biciclette ( Bicycle Thieves , 1948), Roberto Rossellini’s Roma città aperta ( Rome, Open City , 1945), and Europa ‘51 (1952). Other noteworthy contributions to this critical

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Not Just a Phase

Queer Girlhood and Coming of Age on Screen

Whitney Monaghan

rides her bicycle home, throws it to the ground and runs indoors. In a following scene, Yolanda's gaze again captures Mari's rebellious nature as she enters the classroom, headphones covering her ears. Later, this becomes more explicit when she is caught