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that do not square well with the explanations proposed by Laborit in the embedded interviews. Instead, the quotations of scenes from old French films are meant to inflect our understanding of the characters in another direction, the key idea being that

A major star of prerevolutionary Russian cinema and French cinema in the 1920s, Ivan Mozzhukhin will always be associated with a lost experiment from around 1920 carried out by Russian film director Lev Kuleshov. The purported result of the

a sound movement, … a dialectic: the quest for truth in a concrete and common expression, where it is innocently at work,” said the French director Bruno Dumont, another important but often overlooked figure of slow cinema. For Dumont, “the discovery

critical impact of Best Years . He claims it “became a touchstone in the evolution of French criticism and provoked one of the most penetrating critical essays in film history” (1974: 271). Bazin makes the point that Best Years has more consistency in

Peter French’s Cowboy Metaphysics: Ethics and Death in Westerns (1997). Against this background we can consider Robert Sinnerbrink’s welcome contribution to the discussion, Cinematic Ethics: Exploring Ethical Experience through Film . Sinnerbrink is a

fully affords an experience of the work than an instance of the other. (Maybe this is the case with The Immortal Story in English and French.) In the vast majority of typical cases, however, the upshot of creative activity in the cinema is the

https://jonbangcarlsen.com/ 7 https://www.bloomberg.com/news/articles/2016-03-17/urgent-seaworld-says-it-will-end-killer-whale-breeding-program . 8 https://www.theguardian.com/world/2004/oct/03/film.france . References Austin , Thomas . 2007

, Character Liking, and Moral Disengagement .” Mass Communication and Society 16 ( 2 ): 179 – 199 . 10.1080/15205436.2012.690926 Lowery , Edward . 1985 . The Filmology Movement and Film Study in France . Ann Arbor : University of Michigan Research

Zélie Asava. Mixed Race Cinemas: Multiracial Dynamics in America and France (New York Bloomsbury, 2017). 216 pp., ISBN: 1501312456 (paperback: $35.96) Reviewed by Tru Leverette On the cusp of the twenty-first century, Danzy Senna

.” In The Palgrave Handbook of the Philosophy of Film and Motion Pictures , ed. Noël Carroll , Laura Di Summa , and Shawn Loht , 573 – 600 . Cham : Palgrave Macmillan . Deborah Walker-Morrison. Classic French Noir: Gender and