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Nicole Hudgins

, Stephen D. Borys, ed., The Splendor of Ruins in French Landscape Painting, 1630–1800 (Oberlin College, OH: Allen Memorial Art Museum, 2005). For ruins as a literary motif, see Ingrid G. Daemmrich, “The Ruins Motif as Artistic Device in French Literature

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Art to Table

The Power of Aesthetics in Women’s Cookbooks of the Belle Époque

Samantha Presnal

of French literature and history. While many researchers have depended on the cookbook as a barometer for charting the eating habits of bygone eras, most consider its purpose to be purely instructive, one primary source among many. As a result, much

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Elizabeth S. Leet

’s loquacious and predatory sexuality and the Charybdis of the fairy mistress’s mystical and discreet femininity. Silence, therefore, reveals many of Marie’s subversions of gender norms. In her book Bodytalk: When Women Speak in Old French Literature , Jane

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Nupur Patel

identities for Lafayette, as an author, and her text, Montpensier . Notes 1 J. W. Scott, “Prose Fiction,” in French Literature and its Background , ed. John Cruickshank (Oxford: Oxford University Press, 1969), 2:152–168, here 159. 2 As examples

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Time and Space in Time and Space

Mapping the Conceptual History of Mental Maps and Historical Consciousness

Janne Holmén

-lettres et arts, vol. 23. Litterature [Universal library of sciences, humanities and arts] (Geneva, 1826), 15; Alexandre Vinet, Études sur la littérature française au XIXe siècle: 1. Madame de Staël et Chateaubriand [Studies of French literature in the