editors instead pair biographies and historical essays with case studies and reception histories precisely to showcase the diversity of scholarly approaches to the study of visual ‘Blackness’ and of the ‘subculture’ and ‘community’ that have surrounded
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Lise Tannahill, Eliza Bourque Dandridge, and Rachel Mizsei Ward
When Paris was “à l'heure chinoise” or Georges Pompidou in China and Jean Yanne's (1974) Les Chinois à Paris
Catherine E. Clark
, “What Was So Funny about Les Aventures de Rabbi Jacob (1973): A Comedic Film Between History and Memory,” French Politics, Culture & Society 35, 3 (2017): 24–43. Reading film in this way requires accounting for production and reception histories