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The Ill-Equipped Modernist

Historicizing Édouard Dujardin’s Les Lauriers Sont Coupés

Kelly J. Maynard

commercial—that could be both intimate and anonymous. Second, I refer to two newly modernizing forces that were unique to the 1880s: publishing and politics. The uncharted territory of independent serials that exploded after 1881 (the petites revues ) was