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Steamships to Suffragettes

A Case Study of Interpretative Museology, Public Engagement, and Digital Development

Nicolas Bigourdan, Kevin Edwards, and Michael McCarthy

flexible, creative, adaptive, and informal philosophy and organization underpinning the core elements of the SS Xantho in-water and in-museum project incorporated a principle based on an ability to respond opportunistically (but always deliberately

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Sheila K. Hoffman, Sarita Sundar, Masaaki Morishita, Fabien Van Geert, and Sharon Ann Holt

explain class tensions and gender divisions ( Lauster 2007 ). “Flâneur” conjures images of Parisians strolling along boulevards as they debate the latest “-isms”—the newest movements in art or philosophy. Notwithstanding that most of us are neither

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Democratizing the Digital Collection

New Players and New Pedagogies in Three-Dimensional Cultural Heritage

Jane-Heloise Nancarrow

Philosophy of Computer Games: The Nature of Player Experience , Madrid, Spain 29–31 January . Griffiths , Seren , Ben Edwards , Andrew Wilson , Raimund Karl , Fred Labrosse , Emily LaTrobe-Bateman , Helen Miles , Katharina Moeller

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Andrea Scholz

. London : Zed Books . Walsh , Catherine . 2012 . “ ‘Other’ Knowledges, ‘Other’ Critiques: Reflections on the Politics and Practices of Philosophy and Decoloniality in the ‘Other’ America .” Transmodernity: Journal of Peripheral Cultural Production of

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Steven J. Hoffman, Fanny Wonu Veys, Joseph P Feldman, Natasha Barrett, Elsa Lenz Kothe, Antonino Crisà, Sayantan Mukhopadhyay, Masaaki Morishita, and Ewa Klekot

). retaining their own materiality and presence, as active agentive objects within global networks. Banks’s collecting philosophy was rooted in the search for scientific knowledge from the natural world (Tate Britain 2015–2016). The kaitaka would have been of

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Conjunctures and Convergences

Remaking the World Cultures Displays at the National Museum of Scotland

Henrietta Lidchi

and the repurposing of Enlightenment ideals. In regard to the Scottish Enlightenment, it has been argued that within the history of ideas, it stands out as a philosophy that while convinced of the utility of reason was not persuaded by its omnipotence

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Reassembling The Social Organization

Collaboration and Digital Media in (Re)making Boas’s 1897 Book

Aaron Glass, Judith Berman, and Rainer Hatoum

( Christen 2012 ). While digital media are well adapted to the widespread replication, circulation, and aggregation of diverse materials, discrepancies in underlying philosophies of information and politics of knowledge can complicate the otherwise laudable

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Conal McCarthy

curriculum for training a museum professional, are essential reading for anyone engaged in postgraduate teaching today. What strikes the reader about her philosophy and practice as a teacher is the stress on fieldwork, on immersing students in case study

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Reawakening the Curious Muses

Research, Curatorship, Collections, and Publics at Copenhagen's Medical Museion

Ken Arnold and Thomas Söderqvist

me of one other aspect of Medical Museion's work, which I admired enormously right from the start: that is, how you managed to make real and important somewhat abstract ideas from philosophy. Like your engagement with Sepp Gumbrecht's distinction

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Aratoi: Our Journeys to Aotearoa

Collaborative Knowledge Construction at a Regional Art Gallery in New Zealand

Esther Helen McNaughton

Aotearoa New Zealand. The building is a memorial to Andrew Burn Suter, the Anglican bishop of the then-small town of Nelson from 1866 to 1891. Suter was both a keen amateur painter and an art collector. He had a democratic philosophy about art, believing it