assessed critically in feature films such as Vittorio de Sica’s Ladri di biciclette ( Bicycle Thieves , 1948), Roberto Rossellini’s Roma città aperta ( Rome, Open City , 1945), and Europa ‘51 (1952). Other noteworthy contributions to this critical
assessed critically in feature films such as Vittorio de Sica’s Ladri di biciclette ( Bicycle Thieves , 1948), Roberto Rossellini’s Roma città aperta ( Rome, Open City , 1945), and Europa ‘51 (1952). Other noteworthy contributions to this critical