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Book Reviews

Brenda Austin-Smith, Matthew Cipa, and Temenuga Trifonova

.g., postcolonial theory, race studies, globalization, gender studies, cultural studies). To her credit, Wheatley acknowledges feminist critiques of the heteronormative, patriarchal slant of Cavell's thought and his complicity in “a particular brand of American

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Guest Editor's Introduction

Phenomenology Encounters Cognitivism

Robert Sinnerbrink

shaping our engagement with (popular) cinema and the manner in which it can serve as a powerful vehicle of ideological influence, especially with regard to key aspects of personal identity (e.g., gender, race, and class). Can cognitivist theories engage

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Book Reviews

Jeffrey M. Zacks, Trevor Ponech, Jane Stadler, and Malcolm Turvey

lessons on race and racism carried by Black Panther (Ryan Coogler, 2018) and Get Out (Jordan Peele, 2017). There should be a Bridge Out sign at the beginning of Oana S , erban's discussion of two movies by Udi Aloni, the documentary Local Angel (2002

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When Lamps Have Feelings

Empathy and Anthropomorphism Toward Inanimate Objects in Animated Films

Alyssa D. Edwards and Daniel M. Shafer

, 4.6 percent ( n  = 13) Black, 4.6 percent ( n  = 13) Asian, and 4.2 percent ( n  = 12) of mixed race, with 3.2 percent ( n  = 9) reporting as “Other.” Experimental Conditions The stimulus material consisted of four versions of an original

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Dr. Strangelove and the Psychology of Comic Distance

Marc Hye-Knudsen

’ citizens. At the time, the lingering risk of a sudden nuclear annihilation was an acute source of anxiety for many: Since the end of the Second World War, the United States and the Soviet Union had been engaged in an escalating nuclear arms race, with both

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Passing for Children in Cate Shortland’s Lore

Andrew J. Webber

, identity is embodied in a most ambiguous way. He inhabits an identity as a Jewish Holocaust survivor, and as such represents a scandal for the ideology of race that Lore has adopted as orthodoxy through her parents. By making Lore older than her fictional

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Toxic Representation and the Politics of Care for Antiracist Queer and Trans History

Jess Dorrance

W. E. B. Du Bois's album Types of American Negroes, Georgia, U.S.A. as shown in Shawn Michelle Smith's book Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture (2004). Image courtesy of the artists. The third

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Los Roldán and the Inclusion of Travesti Narratives

Representations of Gender-Nonconforming Identities in Argentinian Telenovelas

Martín Ponti

gender-nonconforming people who are on the female spectrum. The term's intersectional aspect includes race and class as part of its deployment and definition, since travestis are racialized as nonwhite following their exclusion from educational and formal

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Whose Club Is It Anyway?: The Problematic of Trans Representation in Mainstream Films——“Rayon” and Dallas Buyers Club

Akkadia Ford

-ed-how-transparent-tried-and-failed-represent-trans-men (accessed 30 November 2016 ). Keegan , Cael. 2015 . “ Race-ing as Temporal Dis/ability: Trans Futurism and Racial Mattering in the Films of Lana Wachowski .” Paper presented at the 8th Annual D.C. Queer Studies Symposium: Queer Speculations , 17

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Anxious Breath

An Autoethnographic Exploration of Non-binary Queerness, Vulnerability, and Recognition in Step Out

Lara Bochmann and Erin Hampson

recognize it too. Notes 1 All images in this article are taken from the short film Step Out (property of the authors). The film can be accessed here: . 2 For example, race, ability, neurodivergence, and other forms