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lingering over the country. As a young girl, she became fascinated by the speeches and performances of Joseph Beuys, an artist who had set the German stage for a revolutionary new form, who was pushing for work that was democratized, holistic, and accessible
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On Viewing Ali Atassi’s Our Terrible Country from Beirut
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. For his part, Yassin remains tuned in today to just this difficulty; as he presciently titles a May 2016 interview, “Syria has not democratized; it is the world that has Syrianized.” Likewise, in a November 2017 interview titled “Revolution