's assistive function or Chidi's pedagogical function in The Good Place ). Personal identity for television characters is also definitively relational , as Pearson elaborates: For literary and dramatic critics, [character] development has often meant that
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Brigette Krieg
with the findings of Brown et al. (2007) and MacNeil (2008) , cultural teachings were thought to be important to strengthening the personal identity of Indigenous youth. The photographers noted that in the absence of programming promoting
Guest Editor's Introduction
Phenomenology Encounters Cognitivism
Robert Sinnerbrink
shaping our engagement with (popular) cinema and the manner in which it can serve as a powerful vehicle of ideological influence, especially with regard to key aspects of personal identity (e.g., gender, race, and class). Can cognitivist theories engage
Monstrous Masses
The Human Body as Raw Material
John Marmysz
of the in-itself. “Slime is the revenge of the In-itself” (Sartre 1992: 777) he writes, suggesting that its stickiness and lack of distinct boundaries make slime an awful reminder of how precarious and shaky our personal identities really are. We
Handover Bodies in a Feminist Frame
Two Hong Kong Women Filmmakers’ Perspectives on Sex after 1997
Gina Marchetti
bodily integrity, personal identity, and sexual citizenship as the territory continues along its postcolonial path into the twenty-first century. Acknowledgments A version of this article was presented at CP 23 Rebooting Feminism: Consoleing
Queer Sinofuturism
The Aberrant Movements and Posthumanist Mutations of Body, Identity, and Matter in Lu Yang's Uterus Man
Gabriel Remy-Handfield
intersection of sexual biology, social gender determination, and personal identity” (2009: 268). Similarly to Parisi, Rosario argues for the creation of analytics of gender and sexuality “that takes the social and biological seriously by acknowledging the