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Jane Stadler

's assistive function or Chidi's pedagogical function in The Good Place ). Personal identity for television characters is also definitively relational , as Pearson elaborates: For literary and dramatic critics, [character] development has often meant that

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Brigette Krieg

with the findings of Brown et al. (2007) and MacNeil (2008) , cultural teachings were thought to be important to strengthening the personal identity of Indigenous youth. The photographers noted that in the absence of programming promoting

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Guest Editor's Introduction

Phenomenology Encounters Cognitivism

Robert Sinnerbrink

shaping our engagement with (popular) cinema and the manner in which it can serve as a powerful vehicle of ideological influence, especially with regard to key aspects of personal identity (e.g., gender, race, and class). Can cognitivist theories engage

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Monstrous Masses

The Human Body as Raw Material

John Marmysz

of the in-itself. “Slime is the revenge of the In-itself” (Sartre 1992: 777) he writes, suggesting that its stickiness and lack of distinct boundaries make slime an awful reminder of how precarious and shaky our personal identities really are. We

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Handover Bodies in a Feminist Frame

Two Hong Kong Women Filmmakers’ Perspectives on Sex after 1997

Gina Marchetti

bodily integrity, personal identity, and sexual citizenship as the territory continues along its postcolonial path into the twenty-first century. Acknowledgments A version of this article was presented at CP 23 Rebooting Feminism: Consoleing

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Queer Sinofuturism

The Aberrant Movements and Posthumanist Mutations of Body, Identity, and Matter in Lu Yang's Uterus Man

Gabriel Remy-Handfield

intersection of sexual biology, social gender determination, and personal identity” (2009: 268). Similarly to Parisi, Rosario argues for the creation of analytics of gender and sexuality “that takes the social and biological seriously by acknowledging the