. Such categories are themselves informed by a North-South directionality of knowledge about sexual difference, in which Northern lesbian, gay, bisexual, transsexual, and queer (LGBTQ) identity frameworks simultaneously shape Southern responses to queer
Hospitality and the Categorical Imperative of LGBTQ Asylum Seeking in Lebanon and Turkey
Postwar American Melodrama and the Crisis of Queer Juvenility
This essay analyzes the cinematic genre convention of the “sensation scene” as a vehicle for the representation of queer crises in American juvenility during the postwar era. Through popular cinema, post-WWII America organized and communicated concerns about the production of “fit” masculine and heterosexual juveniles who would be capable of carrying out the postwar expansion of American democratic and capitalist ideologies. The sensation scene was deployed by popular films to mark queer and racialized masculinities in an aesthetic system that mirrored institutional efforts to prevent “unfit” juveniles from accessing the benefits of full social and political participation. Today, the genre device continues to structure popular film representations of and common thinking about the relative value of young, male American lives.
Support for and Silencing of Queer Voice in Schools, Families, and Communities
Gilligan (1996) and other feminist relational psychologists have identified a “silencing” to which adolescent girls are vulnerable when they confront pressures to conform to patriarchal values and norms in various social contexts. As Machoian (2005) and other researchers have noted, the silencing of girls’ authentic voices at adolescence is associated with heightened risk for depression and for suicide, cutting, eating disorders, and other self-harming behaviors. This article is based on in-depth interviews that examined the ways in which lesbian, gay, bisexual, transgender, and queer-identifying youth might be subject to an analogous silencing of their authentic “queer voices.” Drawing on four case studies of male youth who participated in a larger qualitative research project, the article examines how schools, families, and communities both supported and silenced the authentic expression of their voices as gay- or queer-identifying boys. Since two of the case studies are based on interviews with participants at both late adolescence and young adulthood, the article also examines the effects of supportive factors over time and how they helped contribute to a purposeful, voiced sense of queer male identity as the participants reached manhood.
Figure 1. Photo shots from the outside: Ron Athey, Performance at Participant in 3 Acts. Live-stream performance for Participant After Dark as part of the exhibition, Queer Communion: Ron Athey, curated by Amelia Jones at Participant Inc
The Aberrant Movements and Posthumanist Mutations of Body, Identity, and Matter in Lu Yang's Uterus Man
inherent queerness present in the video; indeterminacy is already implied in the title of the film. The character possesses different abilities and weapons, all related to a different part of the uterus associated with the feminine body . Lu Yang created a
Queer Female Masculinity in the Gym
an outward expression of something I very much felt. And it was also about sex and sexuality and desire. This is Carrie. She is a white, middle-class (from a working-class family), college-educated American queer woman living in the northeast
Marginalizing Queer Girls in YA Dystopian Literature
Miranda A. Green-Barteet and Jill Coste
the dystopian protagonists often transgress gendered expectations, most still are white, able-bodied, heterosexual, cis-gendered girls. Indeed, this popular genre rarely features queer girls as protagonists, and YA dystopian novels with queer girls
A Feminist Reinterpretation of the Radical Machiavelli
Andrés Fabián Henao Castro
This article argues for a feminist reinterpretation of the ‘radical Machiavelli’ tradition which pushes Machiavelli’s performative theory of power towards emancipation. I base my argument on a rereading of Niccolò Machiavelli’s Mandragola, whose historical use of the mandrake legend, I claim, symptomatizes historically gendered forms of labour expropriation characteristic of early modern capitalism. Against the background of that historical contextualisation, I then argue against James Martel’s interpretation of Machiavelli’s theory of open secrets, as one that remains unable to extend to Lucrezia the democratic insights that he identifies in Callimaco and Ligurio’s textual conspiracies. Dialectically relocating the political heroism of this play in Lucrezia’s performance, I conclude, Machiavelli’s comedy becomes nevertheless useful for a subaltern theory of democratic action.
Black Trans and Queer Women’s Digital Media Production
creation of a touchstone for other trans women of color on their own journeys, and the healing that came through the process of writing her book. Mock’s narration of her own story marks a practice of Black queer and trans women’s media production that can
Karen Carpenter and the Body-Martyr in Queer Memory
” and mundane image, the Carpenters have left a legacy that has endured and been subject to constructions of memory and reproduction in unlikely, queer places—and this is especially true of the Karen Carpenter legacy in the years following her death in