to bloom That which destroys us This torn apart Undivided earth On which We travel together. — Rose Ausländer, “ Gemeinsam /Together” Each year, many Inayati Sufis gather for a summer school in a village in northern Germany that
The Affective Pedagogy of Post-Secular Sufi Healing in Germany
A Case Study of a Syrian Refugee Protest in Germany
? Difference and Diversity in a Changing Germany , co-editors Jan-Jonathan Bock and Sharon Macdonald (2019) recall two arresting images that captured the news cycle at the height of the so-called ‘refugee crisis’ in 2015: a white refrigerated truck containing
Farming the Eastern German countryside in the animal welfare era
Amy Leigh Field
TTIP proponents, the agreement promised to generate economic growth and maintain Europe's global influence. Many protesters at Potsdamer Platz were skeptical of the agreement and identified themselves as part of the German anti
States of Displacement: Middle Eastern Refugees, Internally Displaced Persons and Asylum Seekers in Global Context
Lucia Volk and Marcia C. Inhorn
) combined registered less than 700,000 asylum claims in 2019 ( Eurostat 2020 ). While Germany continues to accept the largest number of asylum seekers within the EU, applications have fallen. Yet, along the Mediterranean, in countries such as France, Spain
Nostalgia and risk in Ludwigshafen
Peter Phillimore and Patricia Bell
This article takes cultural understandings of industrial risk in a center of the global chemical industry as an opening that, perhaps unexpectedly, highlights nostalgia for a particular period in (West) Germany's postwar history. Based on fieldwork in Ludwigshafen, we reflect on memories among an older generation of residents that evoke the severity of industrial pollution from the city's vast chemical industry during the 1950s and 1960s. Although the pollution of that era is hardly mourned, it was portrayed as emblematic of a culturally defining era, an era valorized as one of enormous achievement in a more straightforward time. We draw on Tim Ingold's concept of “taskscapes” and his emphasis on skill and Tim Edensor's discussion of “excessive spaces” and “multiple absences” to explore the selectivity of the nostalgia of Ludwigshafen's older residents, in which the celebration of the rebuilding of the postwar chemical industry, and its dominant company BASF, simultaneously obscured problematic memories associated with the city's chemical industry in wartime.
Cultural policy and the politics of culture in Europe
The notion of culture has loomed large in discourses and polemics regarding European integration and immigration in the European framework. While culture, as in fundamental cultural difference, is identified as the source of contemporary political quandaries, its incarnation as intercultural dialogue is conceived as their solution. Drawing on fieldwork conducted in the arts settings of Berlin and Istanbul, this article elucidates how this type of "culture talk" intersects with recent cultural policy formations in the European Union and the national arenas of Germany and Turkey. Much of the political productivity of culture arises from a constant slippage between the different, often contradictory, meanings accorded to the culture-concept. This extension of the "rhetoric of culture" engenders a shift from a governance of culture to one through culture by relaying an array of pressing political concerns from the realm of social and economic policy to that of culture in the sense of artistic expression.
Participation and Agency in Architectural Memorializations of the 1993 Solingen Arson Attack
attack of 29 May 1993 was part of a series of violent racist attacks that shook Germany in the late 1980s and early 1990s, at a time when reunification reinvigorated the patriotism and nationalism that had been suppressed after World War II and the
The Political Aesthetics of Death
In a global media market, images of war and victimhood are trafficked as master tropes of trauma situations with immense emotional appeal. Concurrent with this transformation of historical atrocities into consumable commodities, new forms of spectatorship—focused on bodies, medicine, and death—are being produced by the entertainment industry. The article examines this fascination with corpses by focusing on Body Worlds, a traveling anatomical exhibit that was initially launched in Germany. I interrogate the means by which dissected corpses are presented as popular entertainment in a post-Holocaust society and seek to explain the installation's global appeal. My research reveals that the collusion between the state and private enterprise not only endorses the global traffic in corpses but also enables the public spectacle of anatomical human bodies by negating subjectivity, violence, and history.
Marco Sonnberger and Michael Ruddat
The transition to renewable energy in Germany is an enormous task. It requires long-term and intensive communication as well as the cooperation of all societal groups and systems (politics, economy, science, civil society, and citizens). The
Roger A. Pielke
This essay explores the management and creation of ignorance via an exploration of the landscape of eastern Germany, which has seen profound social, political, and technological changes over the past several decades. Like in many places around the world decision makers in eastern Germany are seeking to reach a future state where seemingly conflicting outcomes related to the economy and the environment are simultaneously realized. The management of ignorance is an important but often overlooked consideration in decision making that the concept of "post-normal science" places into our focus of attention.