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Publications, Films and Conferences

Jean-Pierre Digard, Sigal Nagar-Ron, Soraya Tremayne, Soheila Shahshahani, and Veronica Buffon


Anatoly M. Khazanov and Günther Schlee (eds.) (2011), Who Owns the Stock? Collective and Multiple Property Rights in Animals (New York/Oxford: Berghahn Books), "Integration and Conflict Studies", Max Planck Institute for Social Anthropology, Halle/Saale, vol. 5, 332 pp., 8 maps, 19 tables, 66 fig., biblio., index.

Motzafi-Haller, Pnina (2012), In the Cement Boxes: Mizrahi Women in the Israeli Periphery (The Hebrew University Magnes Press), pp. 276, ISBN: 978- 965-493-650-7.

Helie, Anissa and Hoodfar, Homa (eds.) (2012), Sexuality in Muslim Contexts: Restrictions and Resistance (London: Zed Books), Pb., glossary, xiv + 346 pp., index, ISBN: 978-1-78032-286-8.


What is Farhâdi Trying to Portray of Iranian Everyday Life and Iranian Characters in His Films?


Encounters and Engagements: Creating New Agendas for Medical Anthropology, 12–14 June 2013, EASA/SMA/URV Joint International Conference, Tarragona, Spain.

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Why Draw Flowers?

Botanical Art, Nationalism and Women's Contribution to Israeli Culture

Shahar Marnin-Distelfeld and Edna Gorney

learning the Hebrew names of local plants, collecting and drying them, as well as drawing them, enhanced the creation of a national identity tied to the national territory. Three women artists were central to this process and contributed widely to many

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To Be Black and Beautiful in Israel

Efrat Yerday

natural unhandled hair. Unlike the Ethiopian Jewish women, black women from other communities sometimes wear their natural hair. Atalia Pierce, from the Hebrew community of Dimona, for example, who competed in the reality show The Voice in 2012, came to

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A Film Never Completed

Representing Social Relations in a Mixing Neighbourhood

Regev Nathansohn

. Then, someone from the second floor throws a bucket full of water over them and curses in Russian. The camera moves to the falafel place next door and zooms in on the bilingual Hebrew/Arabic menu on the wall. From there, the camera pans outside

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Anthropological Perspectives on Two Documentary Films on Women in the Middle East

Esther Hertzog

( Brighton : Sussex University Press ). Hassan , M. ( 1999 ), ‘ The Politics of Honour: The Patriarchy, the State and the Murdering of Women in the Name of Family Honour ’ [in Hebrew], in Sex Gender Politics (eds.) D. Izraeli et al. ( Tel Aviv

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A Resolute Display

Culture, Life and Intersectional Identity in Israeli Druze Photography

Lindsey Pullum

Hebrew name. This practice escalated following Israel's formation and describes the further act of ridding the Mandate of its Arab features, including renaming cities and streets. References Abu Hatoum , N. ( 2017 ), ‘ Framing Visual Politics

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Seized in Beirut

The Plundered Archives of the Palestinian Cinema Institution and Cultural Arts Section

Rona Sela

aggressive means of control since the first half of the twentieth century ( Sela 2009 , 2013a , 2015 , 2017 ). The genealogy of Israeli colonial plunder and erasure was described in depth initially in Hebrew (mainly before, during and after the Nakba