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Andreas Baranowski and Heiko Hecht

acknowledged this and proposed to use red-green anaglyph lenses to produce such 3-D effects. Edwin Porter and William Waddell had just successfully tested this with short film reels at the Astor Theatre in New York City in 1915. Münsterberg believed that this

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Visibility and Screen Politics after the Transgender Tipping Point

Wibke Straube

. The series Pose is a fantastic example of how this might be slowly changing and how cultural spaces for alternative productions and diverse and intersecting positions between class, race, gender, and sexuality are emerging. Pose , featuring New York

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Transitions Within Queer North African Cinema

Nouri Bouzid, Abdellah Taïa, and the Transnational Tourist

Walter S. Temple

effort to redefine their role at the North–South divide (see below, note 7). 3 See Barthes (1987) . 4 This article focuses primarily on the queer cinema of the MENA region; however, it was the 1969 Stonewall Riots in New York City, and their ensuing

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Akkadia Ford

:// (accessed 30 November 2016 ). Hodel , Derek. 2013 . “ New York City Buyers Club History of the People with AIDS Health Group .” Focus Features , 21 October .

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Handover Bodies in a Feminist Frame

Two Hong Kong Women Filmmakers’ Perspectives on Sex after 1997

Gina Marchetti

exploitative realm of reality television. Both Yau and Wong studied filmmaking in New York City; however, Wong’s trajectory as a filmmaker has taken her in a commercial direction with many of her more recent films produced in the PRC. Although Women