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Open access

Felix Girke

reflections. The necessary reconfiguration of ‘departure’ under conditions of social media in the digital age—when physical absence can be compensated for in various ways—changes our very understanding of ‘the field’. From Arrival to Departure This

Open access

Social Criticism through Humour in the Digital Age

Multimodal Extension in the Works of Aleix Saló

Javier Muñoz-Basols and Marina Massaguer Comes

Abstract

Numerous authors of comics and graphic novels have used the economic crisis in the Iberian Peninsula as a narrative frame for social criticism. Prominent amongst them is the Catalan cartoonist Aleix Saló, who burst onto the comics scene with his animated YouTube video Españistán, a book trailer for his graphic novel Españistán: Este país se va a la mierda [Españistán: This country is going to hell] (2011). This article shows how Saló offers a humorous and didactic portrait of the devastating effects of the economic crisis: he does this through multimodality (using specific shapes, colours, fonts and components of orality) and through creating ‘multimodal extensions’, intertextual relations between published books and book trailers. This analysis presents a case study of the multimodal techniques that authors use to shape and develop their work in the context of the powerful relationship between text and image in the digital age.

Open access

Staying Tuned

Connections beyond ‘the Field’

Geoffrey Hughes and Anna-Maria Walter

capture the realities of the digital age. For instance, Christine Hine (2015: 21) argues for a move beyond an episteme of “being there” toward one of “experience,” which can include multiple forms of embodied as well as mediated practices. She pleads

Open access

Ladies Selling Breakfast

COVID-19 Disruption of Intimate Socialities among Street-Engaged Food Traders in Ho Chi Minh City

Ngoc-Bich Pham, Hong-Xoan Nguyen, and Catherine Earl

: 249 – 253 , doi: 10.1080/09589236.2017.1297888 . 10.1080/09589236.2017.1297888 Baym , N. ( 2015 ), Personal Connections in the Digital Age , 2nd ed. ( Cambridge : Polity Press ). Boris , E. , and R. S. Parrenas ( 2010 ), Intimate

Open access

Anthropology from Home

Advice on Digital Ethnography for the Pandemic Times

Magdalena Góralska

Private Sphere: Democracy in a Digital Age ( Cambridge : Polity ). Papacharissi , Z. ( 2015 ), Affective Publics: Sentiment, Technology, and Politics ( Oxford : Oxford University Press ). Pink , S. , H. Horst , J. Postill , L. Hjorth

Open access

Fieldwork through the Zoomiverse

Sensing Uganda in a Time of Immobility

Richard Vokes and Gertrude Atukunda

’ (Jennifer Deger qtd. in Owens 2009 ; see also Irving 2011 ), one which is more oriented towards the co-production of knowledge and which is better suited to the digital age ( Hine 2000 ; Hjorth et al. 2019 ; Pink et al. 2015 ). Although these debates

Open access

Daring spaces

Creating multi-sensory learning environments

Sabine Krajewski and Matthew Khoury

environments need to be as multi-faceted, flexible and fast-paced as learning has become in the digital age. Spaces with different kinds of physical stimuli, multi-sensory fittings and access to digital resources need to be tested over time for flexibility and

Open access

Anxiety and learning

Cultural polarisation in social science courses

Jose Leonardo Santos

Language Acquisition Use ( Portsmouth, NH : Heinemann Books ). Leitch , T. M. ( 2014 ), Wikipedia U: Knowledge, Authority, and Liberal Education in the Digital Age ( Baltimore, MD : Johns Hopkins University Press ). Lyon-Callo , V. ( 2015

Open access

The Human Version 2.0

AI, Humanoids, and Immortality

Annelin Eriksen

. “ Dearly Departed: Communicating with the Dead in the Digital Age .” Social Analysis 61 ( 3 ): 91 – 107 . 10.3167/sa.2017.610306 Huberman , Jennifer . 2018 . “ Immortality Transformed: Mind Cloning, Transhumanism and the Quest for Digital