How might one responsibly review a field just coming into being—such as that provoked by the term Anthropocene? In this article, we argue for two strategies. First, working from the premise that the Anthropocene field is best understood within its emergence, we review conferences rather than publications. In conference performances, we glimpse the themes and tensions of a field-to-come. Second, we interpret Anthropocene as a science-fiction concept, that is, one that pulls us out of familiar space and time to view our predicaments differently. This allows us to explore emergent figurations, genres, and practices for the transdisciplinary study of real and imagined worlds framed by human disturbance. In the interplay and variation across modes for constructing this field, Anthropocene scholarship finds its shape.
Anthropocene as Science Fiction and Scholarship-in-the-Making
Heather Anne Swanson, Nils Bubandt, and Anna Tsing
Sophia Yablonska's Travelogues in the History of Modern Ukrainian Literature
-Soviet version of the history of literature, which also includes Ukrainain literature, is still influenced by the socialist realist model dominated by the idea that the novel is the central literary genre and that it develops one overarching “master plot” (not
Slobodanka Peković, Časopisi po meri dostojanstvenog ženskinja: Ženski časopisi na početku 20. veka (Journals suited for respectable women: Women’s journals from the early twentieth century), Novi Sad-Beograd: Matica srpska, Institut za književnost i umetnost, 2015, 378 pp., RSD 550 (paperback), ISBN 978-86-7946-154-4.
Stanislava Barać, Feministička kontrajavnost: Žanr ženskog portreta u srpskoj periodici 1920–1941 (The feminist counterpublic: A genre of woman’s portrait in the Serbian periodical press from 1920 to 1941), Beograd: Institut za književnost i umetnost, 2015, 436 pp., RSD 1100 (paperback), ISBN 978-86-7095-224-9.
This article develops an epidemiological approach to the analysis of ritual discourse, comparing three distinct genres of Amazonian ritual chants: Wayana, Sharanahua, and Ingarikó. The aim is not to identify the inherent properties of chants, nor to establish ideal types of ritual context (initiation, shamanism, prophetism), but to analyze the different factors affecting the stabilization of the heterogeneous elements of ritual traditions. First, I identify the different procedures (order transfer, parallelism, intersemioticity, and inscription) that stabilize content. Then, assuming that the spread of ritual chants depends on an institutional apparatus, I explore the chants’ rules of distribution and the types of legitimizing authority involved. Finally, I show how the combined analysis of these different factors offers us a new way of understanding ritual innovation.
Autobiography, Kinship, and Alterity in Native Amazonia
Vanessa Elisa Grotti and Marc Brightman
a detached, objective way, but rather in terms of experiences and events. 1 Personal accounts of experiences with the invisible have been studied widely with regard to the shamanic initiation and quest, a genre also familiar to students of shamanic
Janet Elise Johnson and Mara Lazda
Retuning Scholarly Engagement Unlike those of us armed with archival work, systematic sampling, or ethnography, Ann was creating her own genre on the region—the analytical personal essay—based on her deep interactions. Ann framed her engagement in the
Sharon A. Kowalsky
inspired her readers to re-evaluate their own stereotypes and ideas about cultural identity. Haleta shows how Yablonska created a unique genre in Ukrainian literature that situated her outside the established canon but allowed her to place gender at the
herself 10 ); the authors Georgi Markov and Pavel Vezhinov, and so forth. Both collections discussed so far end with impressive bibliographies, which list the works of the two jubilees, thus illustrating the multiple thematic and genre layers that
The Case of the Network of East-West Women
://hal.archives-ouvertes.fr/hal-00987413/document . The present article is part of a larger project—Ioana Cîrstocea, La fin de la femme rouge? Fabriques transnationales du genre après la chute du Mur [The end of the red woman? (Re)making gender transnationally after the Cold War
Multimodal Extension in the Works of Aleix Saló
Javier Muñoz-Basols and Marina Massaguer Comes
to the support of small publishing houses – many have struggled to forge their way into the graphic genre. 15 As Saló has described it, ‘Jóvenes como yo, que querían publicar en El Jueves o La Vanguardia , los había a patadas y lo teníamos y lo