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The Power of Silence

Sonic Experiences of Police Operations and Occupations in Rio de Janeiro's Favelas

Sterre Gilsing

refer to sex. Especially interesting (and wry for the artists from the favela who created the genre) is, when the music is detached from the favela environment, the consequences are different. João, a human rights activist and lawyer, questions the

Open access

Liberation Autochthony

Namibian Veteran Politics and African Citizenship Claims

Lalli Metsola

examples, see Nujoma (2001) ; SWAPO (1981) . For a more detailed account of this genre, see Metsola (2015: 191–195 ). 4 See articles in the following newspapers: The Namibian , 10, 21 April, 9, 17 May 1995, 7 May, 26 June, 29 September, 24, 28, 31

Open access

Emergent Police States

Racialized Pacification and Police Moralism from Rio's Favelas to Bolsonaro

Tomas Salem and Bjørn Enge Bertelsen

help me catch those guys. Among officers, then, funk parties and funk music, especially the genre of proibidão (lit. “forbidden”), expressed the “culture of trafficking” that they thought to be common among favela residents (see Muniz and