its immaterial nature, vocal sound leaves no direct traces that can be stored, archived, and retrieved. A historian of eighteenth-century France, Arlette Farge, framed the problem with some sense of poetry in her Essai pour une histoire des voix
its immaterial nature, vocal sound leaves no direct traces that can be stored, archived, and retrieved. A historian of eighteenth-century France, Arlette Farge, framed the problem with some sense of poetry in her Essai pour une histoire des voix