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Open access

COVID-19 as method

Managing the ubiquity of waste and waste-collectors in India

Tridibesh Dey

visibility of the human subject is enacted in different ways, through multifarious technologies and across different scales and types of media, in order to effectively manage (and critique, reprimand) its ubiquity. The varied modes of visibilisation of human

Open access

The triple-sidedness of “I can't breathe”

The COVID-19 pandemic, enslavement, and agro-industrial capitalism

Don Nonini

both technology and organization, originated in slavery” ( Wallace 2016: 261 ). Slaveholders measured land only against the capacity of slave labor to transform it, setting the cotton production line in terms of “bales per hand,” with enslaved African

Open access

Visceral non-presence

Ethnography in the age of COVID

Jessica Brinkworth, Korinta Maldonado, Ellen Moodie, and Gilberto Rosas

is said in the interviews but also the affective relations that lead up to them. We miss place. We miss sensuous there-ness. We miss silences that are thick pauses (not panicked technology fails). We miss the smiles or frowns that might come up at

Open access


Politics, Sociability and the Constitution of Collective Life

Will Rollason and Eric Hirsch

:// . Ong , A. and S. J. Collier ( 2005 ), Global Assemblages: Technology, Politics, and Ethics as Anthropological Problems ( Malden, MA : Blackwell Publishing ). Ortner , S. B . ( 1974 ), ‘ Is female to male as nature is to culture

Open access

Sheila K. Hoffman

same, with their own unique spin. Unfortunately, in the online space the ability to afford the technology or design to make an online exhibition stand out correlates strongly to distinctive or transcendent elements—not unlike in our physical museum

Open access

The effectiveness of online teaching and learning tools

Students’ perceptions of usefulness in an upper-level accounting course

Heba Abdel-Rahim

encouraged to convert more courses to the OTL format to hedge for any possible switching to online teaching, similar to what happened in the spring of 2020. This growth has resulted in a need for more integration of technology and virtual tools in the

Open access

Art Gallery Education in New Zealand during COVID-19

The Emergence of a Community of Practice

Esther Helen McNaughton

such as the necessity for a rapid increase in use of computer technology, but my feeling was that art gallery educators would benefit from specific contact with each other to address issues relating to their particular profession. After discussion with

Open access

Museums and the Pandemic, One Year On

Some Reflections on Academic Resilience

Joanna Cobley

welcome and safe ( Hollander 2020 ). This will involve new ways of thinking about social distancing in physical spaces like museum buildings, exhibitions and outdoor spaces, and food and gift shop design, as well as adopting new technologies ( Billock 2020

Open access

Museums in the Pandemic

A Survey of Responses on the Current Crisis

Joanna Cobley, David Gaimster, Stephanie So, Ken Gorbey, Ken Arnold, Dominique Poulot, Bruno Brulon Soares, Nuala Morse, Laura Osorio Sunnucks, María de las Mercedes Martínez Milantchí, Alberto Serrano, Erica Lehrer, Shelley Ruth Butler, Nicky Levell, Anthony Shelton, Da (Linda) Kong, and Mingyuan Jiang

growing realization that they will recall from before coronavirus—namely, that we seemed already to be making ourselves sick and stupid with relentless waves of new technology. And at a subtler level, gallery audiences will increasingly arrive with big

Open access

Marla Frederick, Yunus Doğan Telliel, and Heather Mellquist Lehto

June . . Žižek , Slavoj . 2020 . Pandemic! COVID-19 Shakes the World . New York : OR Books 10.2307/j.ctv16t6n4q Learning from Religious Diasporas in Pandemic Times Heather Mellquist