. According to Hasso (2020) , the celebration of violence in movies has been in part a response to the political turmoil in the country and the systemic violence sponsored by the state. Upper-Class Pop Music and Failed Love Al-ughnīyah al
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‘Men Don't Cry Over Women’
Expressions of Love and Grief in Egyptian Popular Music
Ahmed Abdelazim
In Anthropology of the Middle East
- Published (Print):
- 01 Dec 2021
- Article Type:
- Research Article
- Pages:
- 57–74 (18 total)
Social Criticism through Humour in the Digital Age
Multimodal Extension in the Works of Aleix Saló
Javier Muñoz-Basols and Marina Massaguer Comes
humour on the basis of phonetic and semantic associations, humour that is directed towards both the comic reader and the video watcher. With regard to the intertextuality with cultural icons, allusions to television, cinema, pop music, literature, art and
In European Comic Art
- Published (Print):
- 01 Mar 2018
- Article Type:
- Research Article
- Pages:
- 107–128 (22 total)
The Power of Silence
Sonic Experiences of Police Operations and Occupations in Rio de Janeiro's Favelas
Sterre Gilsing
, a nickname for people who enjoy funk. What followed was the criminalization of funk during parties in favelas, while it was framed as pop music 4 when the audience was white, middle class, and outside the favela (for a detailed discussion, see
In Conflict and Society
- Published (Print):
- 01 Jun 2020
- Article Type:
- Research Article
- Pages:
- 128–144 (17 total)