cultural-political: to leave the center of the stage to historiographically silent actors in order to contrast a stereotypical vision of an extreme subalternity. The book gives back agency to those who actually already had it, acknowledging that they
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Birgitta Bader-Zaar, Evguenia Davidova, Minja Bujaković, Milena Kirova, Malgorzata Fidelis, Stefano Petrungaro, Alexandra Talavar, Daniela Koleva, Rochelle Ruthchild, Vania Ivanova, Valentina Mitkova, Roxana L. Cazan, Sylwia Kuźma-Markowska, and Nadia Danova
Marina Soroka
historically specific stereotypes, and memoirs published by two imperial diplomats’ daughters when they were over fifty review the gender and social stereotypes that prevailed before 1914. Non-Russian primary sources provide context, since the diplomatic corps
Krassimira Daskalova
demonstrate, the ethno-nationalism of some Romanian (Alexandrina Cantacuzino) and Czech feminists (Františka Plamínková and Eliška Purkyňová) was not any better, not to mention the offensive, stereotypical, and bossy manner in which Dr. Justyna Budzińska
The Little Entente of Women as Transnational Ethno-Nationalist Community
Spotlight on Romania
Maria Bucur
situation in these Balkan countries as “backward,” replicating a rhetorical trope already deployed at the first conference by the Czech delegate who had identified “balkanization” as a form of devolution. 74 Sensitive to this stereotype, Theodoropoulou