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Interruptions: Challenges and Innovations in Exhibition-Making

The Second World Museologies Workshop, National Museum of Ethnology (MINPAKU), Osaka, December 2019

Laura Osorio Sunnucks, Nicola Levell, Anthony Shelton, Motoi Suzuki, Gwyneira Isaac, and Diana E. Marsh

Enlightenment-derived legitimating conventions ( Lyotard 1984 ). While many scholars in critical museology and other branches of the social sciences and humanities acknowledge that knowledge is neither transcendental nor universal, but carefully controlled

Open access

Paulette Wallace

Zealand History , ed. Bronwyn Dalley and Jock Phillips , 16 – 29 . Auckland : Auckland University Press . Dewdney , Andrew , David Dibosa , and Victoria Walsh . 2013 . Post-Critical Museology: Theory and Practice in the Art Museum

Open access


The Work of Culture, Heritage, and Musealized Spaces in “Unprecedented Times”

Christina Kreps

.1086/244606 Shelton , Anthony . 2013 . “ Critical Museology: A Manifesto .” Museum Worlds: Advances in Research 1 : 7 – 23 . doi: 10.3167/armw.2013.010102 . 10.3167/armw.2013.010102 Smith , Laurajane . 2006 . Uses of Heritage . London : Routledge . 10

Open access

Bringing Slavery into the Light in Postcolonial Portugal

The rhetoric and poetics of a slavery exhibition

Paula Mota Santos

Poetics and Politics of Museum Display . 12 With critical museology, particular attention started to be paid to representation, “producing greater ‘reflexivity’—in the form of greater attention to the processes by which knowledge is produced and