understanding cruelty in a way that conventional peace and conflict studies cannot. Even the genre of ethnographically informed conflict studies, however, struggles with notions of perpetration, volition, and culpability. More to the point, conflict studies
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Introduction
The Social Life of Contentious Concepts
Ronald S. Stade
a village or remote province. They belong to a genre that straddles several disciplinary boundaries—conceptual history, political anthropology, cultural sociology, peace and conflict studies, international relations, and so on—and is consigned to a
The Power of Silence
Sonic Experiences of Police Operations and Occupations in Rio de Janeiro's Favelas
Sterre Gilsing
refer to sex. Especially interesting (and wry for the artists from the favela who created the genre) is, when the music is detached from the favela environment, the consequences are different. João, a human rights activist and lawyer, questions the
Liberation Autochthony
Namibian Veteran Politics and African Citizenship Claims
Lalli Metsola
examples, see Nujoma (2001) ; SWAPO (1981) . For a more detailed account of this genre, see Metsola (2015: 191–195 ). 4 See articles in the following newspapers: The Namibian , 10, 21 April, 9, 17 May 1995, 7 May, 26 June, 29 September, 24, 28, 31
Weapons for Witnessing
American Street Preaching and the Rhythms of War
Kyle Byron
. The genre of the jeremiad, for example, is characterized by the invocation of a pure past and the rejection of a fallen present, eventually resolving in a passionate call for repentance—narrative movements inspired by the biblical themes of creation
An Ethics of Response
Protestant Christians’ Relation with God and Elsewheres
Ingie Hovland
.1111/1467-9655.12592 Bialecki , Jon . 2015 . “ Affect: Intensities and Energies in the Charismatic Language, Embodiment, and Genre of a North American Movement .” In The Anthropology of Global Pentecostalism and Evangelicalism , ed. Simon Coleman and Rosalind I. J
Emergent Police States
Racialized Pacification and Police Moralism from Rio's Favelas to Bolsonaro
Tomas Salem and Bjørn Enge Bertelsen
help me catch those guys. Among officers, then, funk parties and funk music, especially the genre of proibidão (lit. “forbidden”), expressed the “culture of trafficking” that they thought to be common among favela residents (see Muniz and