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Christianity and Sexuality

Girls and Women Forge New Paths

Sharon Woodill

, often successfully, conflicting messages and convictions create an important space in the religion and sexuality literature. It disrupts the secular narrative that often dominates this discourse that posits the utter incompatibility of Christianity, in

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“I’m No Donna Reed”

Postfeminist Rhetoric in Christian At-Home Daughterhood Texts

Elizabeth Shively

-at-home daughter camp hashed out the piece as did online news outlets like Jezebel and the websites for Christianity Today and Time magazine ( Adams 2010 ; Prior 2010 ; Stein 2010 ). The tone of author Gina McGalliard’s original piece framed at

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Claudia Mitchell

violent self, and therefore make female externalized violence what [they] describe as narrative-able.” Two book reviews round out this issue. In “Christianity and Sexuality: Girls and Women Forge New Paths,” Sharon Woodill reviews Sonya Sharma’s Good

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Jasmyn Galley

—the very same symbol of Western culture—to do so. Patsy’s abuse at the hands of Dicky and his crucifix stands as a metaphor of the rape of Native cultures by both Christianity and colonialism. Furthermore, Patsy is pregnant, which implies that this cultural

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Kaoru Miyazawa

marriage as what Eggleston et al. (1999) think of as acts of transgression that deserve punishment. This is not a surprising coincidence when we reflect on the history of colonization that involved the travel of Christianity and its values concerning