In the German history of concepts, the era between 1760 and 1840 has been of special interest. The historian Reinhart Koselleck famously called this period a Sattelzeit , a time when not only cultural formations and social structures but also
Jean Elisabeth Pedersen
“What is a nation?” Ernest Renan’s famous rhetorical question to an audience at the Sorbonne on 11 March 1882 has remained vital for a wide variety of scholars in fields as diverse as history, literary criticism, sociology, philosophy, and political science. Renan initially posed the question barely ten years after the close of the Franco-Prussian War, which had sparked the establishment of the French Third Republic, the unification of Germany under the leadership of Wilhelm I, and the transfer of the disputed territory of Alsace-Lorraine from French to German control in the months between July 1870 and May 1871. Renan made no overt mention of these events while he was speaking, but he rejected any possible answer to his question that might attempt to base the creation of nations and national identities on shared “race, language, [economic] interests, religious affinity, geography, [or] military necessities.” This explicit refusal constituted an implicit rejection of the entire range of German justifications for the acquisition of the two recently French border provinces.
The politics of French and German cinema between the onset of the Great Depression and the end of World War II is far from a new topic of study. However, scholars have typically focused on one country or the other, rather than comparing the two, and prioritized high-profile directors (for example, Jean Renoir, Jean-Paul Le Chanois, Leni Riefenstahl, and Veit Harlan) whose work benefited from direct party sponsorship and served a clearly propagandistic function. Reflecting the evolution of cultural history and film studies over the past decade, this collection of essays seeks to enrich the traditional approach in three ways. The first is by expanding the definition of politics beyond official party or state discourse to include power-related issues such as representation of gender and gender roles; access to material resources including funding and technology; relationships between film creators and industry or government officials; and competition between commercial and ideological priorities in film production, censorship, and distribution.
Interdisciplinary Concepts and their Political Significance
This essay introduces a panel of four studies of concepts: survival, generation, mutation, and reflex; concepts which circulate among different disciplines. The introduction addresses the problems of disciplinary lexica of conceptual history which have been completed in Germany in recent years; at the same time it questions the boundaries between political-social language (as represented by the Cambridge school in the English-speaking world and by Koselleck in the German) and concepts in natural sciences. The methodological problems examined in the process include issues of knowledge and discipline and interdisciplinarity, as well as of metaphorology and translation, and investigates their relation to the logic of the political.
Pim den Boer
A series of panels focusing on the concept of civilization were organized in each one of the annual meetings held by the History of Political and Social Concepts Group (HPSCG) in New York (2005), Uppsala (2006) and Istanbul (2007). The guiding idea of such an effort was to stimulate research on what became one of the most successful eighteenth-century neologisms in modern socio-political vocabulary. There has been extensive historical and conceptual research on civilization in German, French and English, but little has been produced on its introduction, translation and usage in other European and non-European languages.
A Political Symbol in Comparative and Historical Perspective
The headscarf has become a cultural flashpoint, a freighted symbol of many of the central social, cultural, political, and religious tensions of this first decade of the twenty-first century. When I first began to research the French controversy surrounding the Muslim headscarf in 2001, it was little known in the United States. Since then, the issue has attained global prominence. In late 2003, the Stasi Commission, which Prime Minister Jacques Chirac had appointed several months earlier, recommended a ban on wearing the Muslim headscarf in public primary and secondary schools.1 The legislature promptly passed such a ban, which became law on 15 March 2004.2 Since then, Germany, Turkey, and Britain, among other countries, have wrestled with their own headscarf controversies. The debate reached international proportions when the European Court of Human Rights upheld Turkey’s ban on the headscarf in universities, in the 2005 case of Sahin v. Turkey.
Occupation, Liberation, and Reconstruction
George Robb and W. Brian Newsome
atrocities as commonplace or as magnified by propagandists; the influence of the war on women’s work and relationship to the home; the extent to which food shortages in Germany were caused by the British blockade or by poor management of resources by German
Ism Concepts in Science and Politics
” ( politische Romatik ) among German interwar intellectuals, and studies the complex question of how politische Romantik could have reductionist qualities in a term that does not carry the suffix -ism but that does so in many translations. While the point of
Its Innovative Thrust and Transnational Semantic Transfers during the Sattelzeit (Eighteenth to Nineteenth Centuries)
Samuel Hayat and José María Rosales
, pictorial or theatrical reproduction, and so on), Italian distinguishes between rappresentazione and rappresentanza , German between Repräsentation , Vertretung , Darstellung , and Vorstellung , for example. The picture becomes more complex when we
Identities in Transformation after World War I
: “What is this absurd dream, to implant Western science, Western thinking on Mount Scopus?” he asked rhetorically. 6 His response, which drew on the ideas of the German Jewish philosopher Martin Buber and the French Jewish orientalist scholar Sylvain